Posted on 07/27/2004 5:43:41 AM PDT by OESY
Michael Moore has won the Palme d'Or at the Cannes Film Festival, and may win an Oscar for the kind of work that got Stephen Glass, Jayson Blair, and Jack Kelley fired.
Trying to track the unproven innuendoes and conspiracies in a Michael Moore film or book is as futile as trying to count the flatulence jokes in one by Adam Sandler. Some journalists and critics have acted as if his wrenching of facts is no more serious than a movie continuity problem, like showing a 1963 Chevy in 1956 Santa Monica.
A documentary film doesn't have to be fair and balanced, to coin a phrase. But it ought to make an attempt to be accurate. It can certainly be pointed and opinionated. But it should not knowingly misrepresent the truth. Much of Michael Moore's films and books, however entertaining to his fans and enraging to his critics, seems to regard facts as mere nuisances to the story he wants to tell.
Back in 1991 that sharpest of film critics, the New Yorker's Pauline Kael, blunted some of the raves for Mr. Moore's "Roger and Me" by pointing out how the film misrepresented many facts about plant closings in Flint, Mich., and caricatured people it purported to feel for. "The film I saw was shallow and facetious," said Kael, "a piece of gonzo demagoguery that made me feel cheap for laughing."
His methods remain unrefined in "Fahrenheit 9/11." Mr. Moore ignores or misrepresents the truth, prefers innuendo to fact, edits with poetic license rather than accuracy, and strips existing news footage of its context to make events and real people say what he wants, even if they don't. As Kael observed back then, Mr. Moore's method is no more high-minded than "the work of a slick ad exec."
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Governments of both parties have assuaged Saudi interests for more than 50 years. (I wonder if Mr. Moore grasps how much the jobs of auto workers in Flint depended on cheap oil.) Sound questions about the course, costs, and grounds for the war in Iraq have been raised by voices across the political spectrum.
But when 9/11 Commission Chairman Kean has to take a minute at a press conference, as he did last Thursday, to knock down a proven falsehood like the secret flights of the bin Laden family, you wonder if those who urge people to see Moore's film are informing or contaminating the debate. I see more McCarthy than Murrow in the work of Michael Moore. No matter how hot a blowtorch burns, it doesn't shed much light.
(Excerpt) Read more at online.wsj.com ...
No movie has to be 'fair'.
But if it isn't then nobody has to take it seriously either.
What is with these crazy French awards and Democrats?
Michael Moore- Palme d' Or.
Bill Clinton- Palme d' Sink.
Sandy Berger- Palme d' Papiere.
Joe Wilson- Palme d' Valerie.
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