Posted on 02/23/2004 10:13:04 AM PST by Cathryn Crawford
LONDON (Hollywood Reporter) - The scatological and obscenity filled "Jerry Springer -- The Opera" won four honors including best new musical at the 28th Laurence Olivier awards on Sunday.
Based on Jerry Springer's notorious television talk show, the production has music by Richard Thomas and book and lyrics by Thomas and Stewart Lee. It also landed awards for David Bedella as best actor in a musical; for the chorus of the show as best supporting performance in a musical; and for Mike Walker, best sound.
The "Springer" production was developed at the National Theater and is now running at the Cambridge Theater through January 2005.
The Olivier Awards, organized by the Society of London Theater, took place at the Park Lane Hilton
Maria Friedman was named best actress in a musical for "Ragtime." Matthew Kelly won as best actor for "Of Mice and Men" and Eileen Atkins was named best actress for "Honor." The prize for best new play went to "The Pillowman" by Martin McDonagh, another National Theater production.
Kevin Spacey presented a lifetime achievement award to six-time Olivier Award-winner Judi Dench for outstanding contribution to British theater. Her first prize as best actress was for "Macbeth" in 1977 and her most recent was for "A Little Night Magic" in 1996.
A complete list of winners follows:
Best new musical: "Jerry Springer -- The Opera," music by Richard Thomas, book and lyrics by Thomas and Stewart Lee at the National Theater Lyttleton and Cambridge
Outstanding musical production: "Pacific Overtures," music and lyrics by Stephen Sondheim, book by John Weidman, additional material by Hugh Wheeler at the Donmar Warehouse
Best actress in a musical: Maria Friedman for "Ragtime" at the Piccadilly
Best actor in a musical: David Bedella for "Jerry Springer"
Best performance in a supporting role in a musical: The chorus of "Jerry Springer"
Best new play: "The Pillowman" by Martin McDonagh at the National Theater Cottesloe
Best actress: Eileen Atkins for "Honor" at the Cottesloe
Best actor: Matthew Kelly for "Of Mice and Men" at the Savoy
Best performance in a supporting role: Warren Mitchell for "The Price" at the Apollo
Best director: Michael Grandage for "Caligula" at the Donmar Warehouse
Best revival: "Mourning Becomes Electra" by Eugene O'Neill at the National Theater Lyttleton
Best entertainment: Duckie's "C'est Barbican!" devised and written by Mark Whitelaw, Ursula Martinez, Christopher Green, Marisa Carnesky, Francesca Baglione and Simon Vincenzi, scored by Ian Hill at The Pit
Best new opera production: English National Opera's "The Trojans" (Parts I and II) at the London Coliseum
Outstanding achievement in opera: Cristina Gallardo-Domas for The Royal Opera's "Madama Butterfly" at the Royal Opera House
Best lighting design: "Pacific Overtures" designed by Hugh Vanstone
Best sound design: "Jerry Springer" designed by Mike Walker
Best set design: "Hitchcock Blonde" designed by William Dudley at the Jerwood Theater Downstairs at the Royal Court and the Lyric
Best costume design: "Power" designed by Christopher Oram at the National Theater Cottesloe
Best theater choreographer: Karen Bruce for "Pacific Overtures"
Most promising newcomer in an affiliate theater: Debbie Tucker Green for "Born Bad" at Hampstead Theater
Outstanding achievement in an affiliate theater: The Young Vic for an audacious season under the artistic direction of David Lan
Best new dance production: "Broken Fall," a George Piper Dances commission in association with The Royal Ballet at the Royal Opera House
Outstanding achievement in dance: Thomas Edur and Agnes Oaks for their performances in English National Ballet's "2 Human" at Sadler's Wells.
Of course it did. This is the UK, and this "opera" perpetuates the Americans as uneducated, cursing, violent,trailer park living cowboys. My apologies to people who live in trailers.
John-boy! Noooooo! ;o)
I remember wheh he went off to college.

Wow, it seems like only yesterday - he's probably all grown up now. ;-)
GET OUT!....(push)
I don't see anything anymore. All is smut!


Its so funny how the elite 'detest' the kinds of 'gauche' entertainment of the untermenchen...yet when they enjoy they very same smut....then it's called 'fine art'...
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