Posted on 11/13/2003 5:13:41 PM PST by L.N. Smithee
Buzz. Its the magic word in Hollywood. And if youre CBS and trying to attract a zillion viewers for your new TV-movie, The Reagans, its music to your ears.
By now, you know that to Gipper fans, The Reagans bears more resemblance to The Osbournes than to the married life of the 40th president. And to CBS, the astonishing media blitz around the four-hour special was only a happy accident.
But in hindsight its obvious that the TV-movie about Ron and Nancy had everything it takes to fan the flames of the ongoing culture wars. Hollywood! A conservative icon! Liberal producer-types! Barbra Streisand! (Well, her husband, James Brolin, anyway.) It even had a friend of Bill Clintons lurking in the background CBS chairman Leslie Moonves.
How does a scenario like that look to a worried conservative, even one who hasnt seen The Reagans? As former Reagan speechwriter Peggy Noonan puts it: Imagine these folks doing [something] on Reagan that presents him straight-forwardly as a great man. I cant.
Still, The Reagans is just a TV-movie, one that might have appeared without incident if the New York Times had not obtained a copy of the script, one that falsely accused Reagan of saying of AIDS sufferers, They that live in sin shall die in sin.
Word spread, and CBS had a publicity bonanza on its hands quicker than you could shout, Bonzo! Its bedtime! Conservatives lashed out at what they believed was the projects insensitivity, given the popular former presidents failing health. Nancy released a statement: The timing is absolutely staggering to me. Obviously, its very hurtful.
Talk shows obsessed on the subject. CBS and the TV-movies award-winning producers, Craig Zadan and Neil Meron (Chicago, Life with Judy Garland, [gay-themed sitcom Its All Relative]), became targets of conservative writers and pundits. Despite not seeing it, Pat Buchanan called the project an abomination and Jerry Falwell initiated a letter-writing campaign. A Web site organizing a boycott of both the network and the movies advertisers was launched.
Things only got worse when a six-minute trailer was sent out to the press, depicting a perpetually overwrought Nancy (Judy Davis) and a mildly befuddled Ronald Reagan (Brolin). Reagans son Michael, a syndicated radio talk-show host, got a copy. Its like watching a campy Saturday Night Live, he says. They make my father look buffoonish.
Foul! complains Meron, who was still editing the two-part movie just weeks before airdate. The final script is certainly not the final work. And this is not a documentary but a dramatic interpretation. Moonves declines to comment but has indicated that he would make the TV-movie fairer.
The Reagans began life at ABC five years ago, as a project that focused on Nancy Reagan but the story widened when it was picked up at CBS. We thought theres a really great family story that goes beyond politics, Zadan says. The script which covers 40 years, from Ron and Nancys first meeting through his last day in office draws from both political biographies and personal profiles.
What were trying to do is just present what happened as truthfully as we know it, says director Robert Allan Ackerman.
But the question for many skeptics will be Whose truth? Will the filmmakers, who describe themselves as proud Democrats, skew their portrayal of Reagan, especially in dramatized scenes?
I dont think anyone on this movie has a political agenda, Meron says.
Maybe, but the second-guessing started early. First came the casting of Brolin. The press jumped all over that, [saying] he was married to Barbra Streisand like he was going to depict Reagan in a bad way because of that, Zadan says.
Brolin claims that hes much more interested in portraying Reagans complex character. Democrat, Republican, --[it] doesnt matter to me. I was apathetic about Ronald Reagan, says the actor, who in makeup on the Montreal set uncannily resembles the Great Communicator.
If Reagan was difficult to cast, Davis was Nancy from the start. The Australian actress, however, admits that she had her qualms. [The TV-movie is] going to be aired when America is perhaps more polarized politically than I can ever recall. It will be interpreted in that climate in a particular way, she says. I did not want to be involved in anything that would be a malicious attack.
She says she found it a real challenge to portray this woman who had such an extraordinary life and was so powerful .I did feel an empathy. She came under such shocking attack from the press.
That empathy will probably deepen as the protests against CBS grow. There is clearly a disconnect between the filmmakers, who want a present a human, flawed Reagan, and the protesters, who dont see any flaws. In Noonans words, it shows disrespect.
[Ronald Reagan] in many ways is a mythic figure, says CNN talk show host and former Clinton adviser Paul Begala. A TV show isnt going to change that. So he had his good and bad sides. Let it go.
But not until after the November sweeps.
I would have no problem whatsoever with a project that took the Reagans' actual flaws in consideration. What annoys me is that the creators of this have made up shameful things out of thin air and defend them as "creative license" or "dramatic interpretation."
So he got caught making an ugly portraly of "fake Reagan", had to re-edit the work, and inferred that the criticism was hollow because he was "still editing it". He wouldn't BE editing it if he hadn't been caught. Which version will go to home video? Of course, parent company Viacommie was also behind the editing out of the boos Hillary received from police and firemen at the Concert For NYC and replaced them with cheers. This is even the version that eventually was released on DVD.
What a bunch of lying liars.
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