It’s haphazard — sometimes nonexistent — when it comes to arithmetic rhythm and timing within a measure.
In fact it is that type of jazz that Beato suggest aides in perfect pitch.
Speaking of Beato, this is the song he says is the most beautiful song ever he knows
Pat Metheny/Lyle Mays - September Fifteenth
https://www.youtube.com/watch?v=GtLQi1wbVok
It was dedicated to Bill Evans. You can certainly hear a lot of Bill’s influence in Lyle’s playing.
I despise jazz, and have had perfect pitch — both active and passive/relative — at least since high school when my music teacher recognized it.
(I do think you can lose perfect pitch over time, though; I am not confident about that for myself now.)