Ha ha.
It’s crap regardless of where you watch it.
Is it up for so many Oscar nominations, because of this so called trans storyline? Hollywood virtue signaling?
Is it up for so many Oscar nominations, because of this so called trans storyline? Hollywood virtue signaling?
Is it up for so many Oscar nominations, because of this so called trans storyline? Hollywood virtue signaling?
Is it up for so many Oscar nominations, because of this so called trans storyline? Hollywood virtue signaling?
“Audiard said he spent more than four years researching for Emilia Pérez.
But “at some point you have to stop doing research because...otherwise you end up doing a documentary,” he added.
“It’s an opera and an opera is not very realistic.”
Was this produced by Max Bialystock? Evidently we haven’t seen it’s likes since Springtime for Hitler.
https://64.media.tumblr.com/4b6de080d87f3773322ae108f1bba60c/tumblr_n2evlqgunn1sbf1mqo6_r1_500.gifv
Sounds like the only thing this movie is missing is that girl from the “Snow White” remake. Ben Mankiewicz will probably do a podcast about it for TCM, then the promos will run right before and after the Wine Club ads.
“The film stars Karla SofÃa Gascón as a bloodthirsty narco who, after transitioning to life as a woman...”
If they’re so committed to their insanity, why did they pick a woman to portray a “transitioned” person? Or is Karla herself formerly a man?
That film is an execrable, steaming pile of offensive woke crap.
It’s no wonder the Hollyweird crowd lavished every possible Nomination it could on it.
A testament to the complete worthlessness of the Academy Awards.
