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Kent Melton, Character Sculptor for ‘Aladdin,’ ‘The Lion King’ and ‘Coraline,’ Dies at 68
https://www.hollywoodreporter.com/movies/movie-news/kent-melton-dead-aladdin-coraline-character-sculptor-1235833267/#recipient_hashed=9e3182e527018d7a4287c84a6b05ef6fc439383cb673b09c79546377b26a30f2&recipient_salt=033f0cdf936cc9231f8f544532ddab055a675f19b ^ | FEBRUARY 22, 2024 | mIKE Barnes

Posted on 02/22/2024 6:50:35 PM PST by nickcarraway

He helped fuel Disney’s animation renaissance in the 1990s, then worked on stop-motion films for Laika Studios.

Kent Melton, the animation sculptor who created maquettes made of clay for iconic characters found in movies including Aladdin, The Lion King, Mulan, The Incredibles and Coraline, has died. He was 68.

Melton died Thursday at his home in Stone County, Missouri, of Lewy body dementia, family members told The Hollywood Reporter.

One of the few artists left in the industry who still sculpted in clay, Melton was a key player in the Disney animation renaissance of the 1990s. Later, he helped Laika Studios become a stop-motion powerhouse. Along the way, he was entrusted by animators to bring their two-dimensional drawings into a three-dimensional world.

Melton’s first Disney credit came on Aladdin (1992), followed by work on such other studio films as Thumbelina (1994), The Lion King (1994), Pocahontas (1995), The Hunchback of Notre Dame (1996), Hercules (1997), Mulan (1998), The Prince of Egypt (1998), Tarzan (1999), The Road to El Dorado (2000), Atlantis: The Lost Empire (2001), Spirit: Stallion of the Cimarron (2002) and Pixar’s The Incredibles (2004).

For Laika, he sculpted characters for Coraline (2009), ParaNorman (2012) and The Boxtrolls (2014), for which he designed the film’s villain, pest exterminator Archibald Snatcher, voiced by Ben Kingsley.

Maquette, he explained in a 2015 interview for 417 Magazine, “is a term that goes way back to the Michelangelo era that means ‘model of something that will transform into a larger scale.’ I’ll sculpt a maquette in a character moment that personifies who they are to the story.

“I have to put body language into the pose to express and sum up who this guy is to the story. I try to capture their likeness and essence of personality and position in the story. From that, they scan what I do and then do all other expressions and poses and repositions on the computer.”

The second of three sons of an agriculture teacher, Melton was born in Springfield, Missouri. He spent a lot of time on farms and never attended art school. “The whole time I was compulsively doing art on my own,” he said. “Anything you do that much, you’re going to get good at it.”

Melton left his job carving wood and cutting glass at the Silver Dollar City amusement park near Branson, Missouri, and headed to Los Angeles, where he landed at Hanna-Barbera as the company’s first staff sculptor.

He sculpted characters from The Flintstones and The Jetsons and worked on the 1988 NBC animated show The Completely Mental Misadventures of Ed Grimley, based on Martin Short‘s Saturday Night Live character.

He also freelanced for Warner Bros., creating sculptures for the 1989 show Tiny Toons Adventures, before Disney hired him after an executive at the company spotted Melton’s work at a birthday party he was hosting for his son.

For Aladdin, Melton worked on the first computer-animated character ever done in a feature animated film, the Cave of Wonders’ tiger head that talks and moves.

“When I saw it on film, I said, ‘It’s alive! I created this thing!’ It was scanned right off of my sculpture,” he said. “And it was so nice because I was just this kid who grew up on a farm, and here I am sitting in a theater with this giant character that I made happen.”

He also created porcelain-based sculptures — fine works of art — for the Walt Disney Classics Collection.

Survivors include his wife, Martha; children Seth, Jordan and Nellie, an artist and animator; and grandchildren Persephone, Toby, Juliet and Charlie.

“I try to interact with the medium as much as possible,” Melton said in his 417 interview. “Let the clay or paint tell me what it wants and carry on a creative conversation with the art to find out where it takes me. I love the process.

“When I was a kid, I never kept anything. I never cared about the final work; it was just the process that I loved. I love the experience of painting, drawing, sculpting, playing music, carving — anything. That’s what art is; it’s an experience.”


TOPICS: Arts/Photography; TV/Movies
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1 posted on 02/22/2024 6:50:35 PM PST by nickcarraway
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To: nickcarraway

Too young.

RIP.


2 posted on 02/22/2024 6:52:02 PM PST by Jane Long (What we were told was a conspiracy theory in ‘20 is now fact. Land of the sheep, home of the knaves)
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To: nickcarraway

The problem with Disney today is that they stopped making great movies like the Lion King and have begun making crappy movies like the Loin King.


3 posted on 02/22/2024 6:53:50 PM PST by MIchaelTArchangel
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To: nickcarraway

RIP, didn’t know about him buy there were good Disney films into the 90s. That was before the age of woke.


4 posted on 02/22/2024 6:57:58 PM PST by packagingguy
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To: nickcarraway

Rest In Peace, Kent.


5 posted on 02/22/2024 7:07:53 PM PST by No name given (Anonymous is who you’ll know me as)
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To: packagingguy

Yes, the last great animated movie from Disney was the 1994 version of “The Lion King”.


6 posted on 02/22/2024 7:08:39 PM PST by No name given (Anonymous is who you’ll know me as)
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To: nickcarraway

He got hit hard and. early in life by Mother Nature.
Perhaps that latency runs in his family.
Radio announcer Casey Casem also died from that.
Casey’s widow, his 2nd or 3rd wife, had her own ideas of how to manage his finances, and sort of went to war with Casey’s adult children after his diagnosis.
A lot of anger from both directions.
Graphic design artist Peter Max is in a similar situation right now, where the Conservator of Peters money rarely allows his children to see him alone.


7 posted on 02/22/2024 7:14:32 PM PST by lee martell
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