Looking at the dubbed and real Plummer videos, on the one hand, and American politicians versus Trump, on the other hand, I keep thinking of Alan Sherman’s classic line in the song “Jump Down, Spin Around,” about shopping at a discount retailer. In the song, he trills out, “Here’s what I’ve been praying for: A genuine copy of a fake Dior.”
We Americans have gotten used to but still hate genuine copies of fake politicians. When a real one comes along, we resonate with that authenticity and believe him when he promises to take America back to a more normal time of fiscal, racial, sexual, and national security sanity.
Image is a true AI fake.
MORE COMMENTS ON CHRISTOPHER PLUMMER’s ORIGINAL PERFORMANCE:
@faith2461: Gosh, as much as I love Bill Lee’s rendition that’s used in the film, there’s just something so lovely and sincere about Christopher’s somewhat shaky, imperfect cadence. Really makes me weep. This album is what we’ve all been waiting for, truly 😭. And Irwin Kostal was a gift.
@lauraopper2571: His rendition may not have been perfect, but it was authentic. He made the viewers feel as if he was just singing a folk song to entertain his family in an evening spent with friends. I love it...
@eleonoramaciel6273: This rendition makes his bashful shrug at the end so much more meaningful. It would be lovely to get a version of the film with his voice in streaming platforms.
@ritawetterhan5232:
His singing is so real and slightly vulnerable— a fitting juxtaposition of his rigid military demeanor and his love for his children, Maria, and his country ❤️
That was strange, I almost gave up until I finally found the singing videos way down the page.
BTTT
I like the original voice of Christopher version, at one point while singing with the daughter he kinda chuckles, makes it real.
One of the best versions of “Edelweiss” I’ve ever heard is the one performed by an Armenian school choir.
Widburg is right about the authenticity of Trump. What you see is what you get. He’s not a fake, like all the others.
The problem in music is FAR WORSE than most people know.
Almost every modern popular recording has had the lead vocal pitch-corrected and/or auto-tuned. It is done with modern digital software. You are not hearing an authentic singer as the recording microphone actually delivered the raw performance to the recorder.
In fact, many vintage, live concert recordings of bands and singers have had the vocals “corrected” long after the live performance. You are not hearing the singer(s) on youtube as the concert audience heard them on the night.
I could name popular singers today who cannot carry a tune in a bucket. Without the fraud of “tuning,” you might NEVER listen to their recordings.
What is coming are artificial intelligence manipulations that create a singer’s voice not delivered by any human being. There will not be a need for any living, breathing singer.
The human voice is inherently imperfect because each person’s singing is unique. Some singers are better with pitch than others but NO SINGER IS MACHINE-PERFECT.
Many singers have a vocal vibrato that creates a pleasing sound moving slightly above and below the actual pitch of the note attempted. This vibrato is a compensation for imperfections of the human voice.
One terrible result is young, aspiring singers hear a recorded performance and are devastated that they simply do not have a voice good enough to sing the same song as perfectly as the celeb singer. The original singer DOES NOT HAVE THAT ABILITY EITHER. It’s fake.
We should insist on authentic performance with human emotion and embrace the human voice as God has gifted each singer.
If you wonder why today’s music is GARBAGE, it is being created by SKYNET !!!
Even tempo today is usually machine-created with a “click” track precise as to beats-per-minute. Many of our greatest, older popular songs had variations in tempo because a human drummer kept the time throughout the song.
Like almost everything in our modern world, music is becoming just another massive fraud.
Played loud on a good sound system (5.1), the last 15 seconds of that song are awesome, especially the last note sung.
When everyone all cease singing together, that theater reverberates for almost 2 seconds before the audience claps.
Perhaps the sound engineers of that film utilized the convolution reverb, the “acoustic fingerprint” of that theater to produce this breathtaking sound.