Musical Interlude topic for February 2022 [starts with The Battle of Evermore - Shaking the Tree Choir]

YouTube etc ^ | February 2022 | varies

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The Battle of Evermore was written by Page/Plant of Led Zeppelin.

Performed by Melbourne choir Shaking the Tree on location at the Northcote Uniting Church and the Darebin Parklands.

Shaking the Tree Choir directed by Bronwyn Calcutt.

Video devised and directed by Bronwyn Calcutt with assistance from Rebecca Palmer, Karen Mecoles and Julie Moore.

Filmed by Leo Dale http://wefostudios.com

With assistance from Marek Silver and Joe Eidelson

Audio recorded by Myles Mumford Rolling Stock Studio Melbourne.

Choral Arrangement by Bronwyn Calcutt.

Choreography assistance by Marlena Raymond and Nellie Montague.

Musicians: Jonathan Liddelow and Simon Leverton

Edited by Bronwyn Calcutt, Leo Dale and Rebecca Palmer.

The Battle of Evermore - Shaking the Tree Choir | March 30, 2017 | Bronwyn Calcutt

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Bruce Hornsby & The Noisemakers performing "On The Western Skyline" on September 28, 2016 in Portland, OR.

Bruce Hornsby & The Noisemakers
"On The Western Skyline"
9/28/16 - Portland, OR | April 12, 2017 | Bruce Hornsby

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Este video fue grabado en el "Saitama Super Arena"el 21 de febrero del 2009.

La alineacion es la siguiente: Guitarra-Jeff Beck, Bateria-Vinnie Colaiuta, Teclado-David Sancious, Bajo-Tai Wilkenfeld.

Jeff Beck, Vinnie Colaiuta, David Sancious y Tai Wilkenfeld "Stratus"
July 18, 2009 | charlymaster

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Carolina Theater, Durham, NC 9/28/21

Bruce Hornsby Harbor Lights & Every Little Kiss on Dulcimer
September 29, 2021 | B.J. Greene

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Steve performing the Blind Faith classic song "Can't Find My Way Home" at Wincraft Studios in 2020.

Steve Winwood - Can't Find My Way Home (Live Performance 2020)
February 10, 2022 | Steve Winwood

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Jeff Beck, one of music’s great collaborators, has once-again found an unexpected co-conspirator in Johnny Depp. The musical soulmates have released their first single as a duo, a re-imagining of John Lennon’s classic track “Isolation”.

Jeff Beck and Johnny Depp - Isolation
[Official Lyric Video] | April 16, 2020 | Jeff Beck

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Montserrat Figueras | Lior Elmaleh

La Guirnalda de Rosas : una Matica de Ruda
November 8, 2014 | Hespèrion XXI - Topic

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For those who care, allmusic.com offers the following context of the song which was likely composed to consecrate the rebuilding of St. Rupert Church on the Rhine in the year 1150. (The church had been sacked by Vikings some 250 years prior). “Both music and text of O Jerusalem build, step by step and stone upon stone, to a soaring architectural climax. Both open at daybreak, as it were, with the textual image of dawn breaking on the walls of the heavenly Jerusalem, which is set to three repetitions of an understated chant melody, low in its plagal range. In the next stanzas, the poetess superimposes the dawn of Rupert's earthly boyhood with an image of him, sanctified, shining in the gems of the Holy city; he cannot be "hidden by the fools" who sacked his first church. At this time, the melody dramatically opens into the aspirant upper reaches of its unusual mode.

The allusive collage continues in the next group of stanzas, as the poetic imagery blossoms into a series of references to Rupert's "true showing" (showing his relics), to the nubile flowers of the Song of Songs, and to pagan dances transformed to angelic dance; the melody now ranges widely through its compass. The climax arrives as Hildegard describes the living stones, the Christians upon which the new Jerusalem is founded despite their sinful and earthly nature. As dawn breaks upon this city, Hildegard's melody breaks its bounds and expands upwards into the "authentic" mode; as the lowly humans are transformed, the music itself mutates. May God and St. Rupert allow those who trust in them so to ascend to blessedness”.

O Jerusalem aurea civitatis, sequence to St Rupert
July 3, 2017 | Michael S Glennon

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Provided to YouTube by The Orchard Enterprises

The Sibylline Oracles (3rd Century B.C.) – Jewish Sources, Aramaic Music
November 8, 2014 | Jordi Savall - Topic

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(not work safe, N-word, cussin')

richard pryor mafia joke | February 2, 2014 | nazrul Jalil

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Paul Westerberg - As Far As I Know
October 3, 2010 | aittam

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[Q] There is a legend that either Eric Clapton or Jimi Hendrix—the name changes—was asked how do they feel to be the greatest guitar player in the world? Whoever it was said, “I don’t know. Go ask Phil Keaggy.” I’ve heard that story before.

[Phil] Actually, the myth is more popular than I am, the urban legend that it is. No, it was never said by either of them. There are echelons of artists up there. Just like there are classic movies. Then you have “B” movies or you have unusual documentaries over there to the side. I’m kind of like an unusual documentary when it comes to my contribution because I’m just what I am, and I try to do the best I can at what I do. I want to thank God. I want to thank the people who have enjoyed and loved what I’ve done musically, artistically, and, hopefully, in a ministry sense, too.