“If Moving in Stereo conjures images of Phoebe Cates, since this song follows on the recording, then basically it represents the day after.”
It doesn’t just follow Moving in Stereo it meshes with it like it’s one. Another example of this is Double Life to Shoo Be Do from the Candy-O Album.
The Cars Album was 1978 as stated and the movie was 1982 both tracks completely unrelated to the movie, not to state the obvious.
“Take What You Want” was never released on an album until one of the reissues years later though it was available through other methods. The band’s most underrated song, IMO.