Posted on 12/07/2016 6:59:08 PM PST by nickcarraway
You know it from the first few notes of Thurl Ravenscroft's barrel-chested performance singing "You're a Mean One, Mr. Grinch" with the same flair he brought to playing Tony the Tiger in Kellogg's cereal commercials Dr. Seuss' How the Grinch Stole Christmas is a holiday classic.
The animated film turns 50 this year, airing on NBC about three weeks before its actual birthday. And it is, admittedly, a little weird to call a 26-minute cartoon about a green guy who learns not to steal Christmas presents an enduring masterpiece.
But The Grinch, which CBS debuted on Dec. 18, 1966, did everything right. It had a great pedigree; Seuss alter-ego Theodor Geisel produced the project with legendary Warner Brothers animator Chuck Jones, who served as director.
It had a cheeky story which appealed to kids and grownups. And it had a kitschy narrator in horror movie king Boris Karloff.
So why can't modern Christmas TV specials make this kind of magic happen more often?
To be sure, there are cute animated specials with modern cartoon characters, like the Toy Story crew and a certain green ogre named Shrek. (I do love the moment in Shrek the Halls when the gingerbread man reveals that Christmastime is less heartwarming and more heart-rendingly dangerous for cookies like him.)
But those bits come off more like crafty moments of corporate synergy than a special holiday treat. I was encouraged when I heard Disney had a new holiday special planned this year for ABC called The Wonderful world of Disney: Magical Holiday Celebration.
But then the promo for the show aired, with this tagline: "During the show, don't miss an exclusive look at Rogue One: A Star Wars Story, in theaters December 16."
Just like that, a fun special became a giant commercial for a Disney-owned movie franchise. (And we all know how badly the Star Wars Holiday Special turned out, don't we?)
Even the shows that are supposed to be lame aren't quite lame in the way they intended. Exhibit A: Bill Murray's Netflix special A Very Murray Christmas; which couldn't decide if it was making fun of holiday specials or celebrating them in a very weird way.
One scene features Murray trying to talk showbiz pal Chris Rock into doing a Christmas special with him.
"So you're doing a live special in the middle of the biggest blizzard of the year?" Rock says to Murray, screaming his lines like he's doing a voice over for Madagascar. "That is so you, Bill. That is so you."
"But now you're here," Murray says. "And it's us!"
"No!" Rock answers. And he ends up going on camera, anyway.
That's not lame in an ironic way. It's just kinda lame.
At least Empire stars Taraji P. Henson and Terrence Howard had the good sense to bring on singers like Mary J. Blige, Patti Labelle and John Legend for their White Hot Holidays special last year on Fox.
The powerful vocal performances helped distract from awkward dialogue between Howard and Henson that often felt like an update of lines from an old Sonny and Cher special.
"Why the long face?" Henson asks Howard at one point in the show.
"Because I never get what I want," he answers.
Henson's response seems straight from the Cookie Lyons playbook: "Well ... what are you doing that's naughty?"
"I was always a good kid," Howard responds. As the audience and Henson express their disbelief, he drops the punch line. "I didn't say nothing about being a good adult. I was a good kid." That's a looong way to go for a couple of chuckles.
Henson is doing the special by herself on Fox next month. Perhaps the holiday was a little too hot for two stars to share.
As a critic, I've always been drawn to the Christmas specials that surprise with a little unexpected absurdity. When David Bowie joined Bing Crosby to croon a mashup of Peace on Earth and the Little Drummer Boy on a Crosby TV special, I loved the sense of rock 'n' roll's future showing respect to an old school showbiz icon. (Of course, A Charlie Brown Christmas and the related Peanuts holiday specials are in a class all their own.)
And when the toy-making elf Hermey informed his boss he'd rather be a dentist in stop-motion animated classic Rudolph the Red Nosed Reindeer, I felt the kind of pride misfits everywhere experience in seeing one of our own let his freak flag fly a bit.
Ultimately, the best holiday specials have a unique balance of nostalgia, surprise, creativity and holiday spirit. Pulling all that off in a one-time TV event often requires a Christmas miracle.
Which may explain why we see so few great ones on TV after all.
Romeo Muller is long deceased.
And the powers that be in the entertainment industry are now all anti-Christ.
because leftards want abortions, fags and obama on the specials?
Leftards, fags and Obama? Isn’t that quite redundant?
I reard carrie fischer did this totally high on coke.
I dont blame her though, as one could only watch this totally high on coke. I couldnt get through two minutes of it.
Because they don't even come close to acknowledging the miraculous birth and promise of Our Saviour
For those who have seen it they can never forget it. :)
The three words that best describes you are as follows and I quote:
Stink
Stank
Stunk!
(Not you, Nick!)
Best line from the Grinch.
About Thurl Ravenscroft.
“His lifelong dream, which he shared in an interview in 1999 with Peter Anthony Holder, was to record the entire Bible on tape, but a big name actor “beat him out”. However, being a devoted Christian, he appeared on many religious television shows such as The Hour of Power. In 1970, he recorded an album called “Great Hymns in Story and Song”, which featured him singing 10 hymns, each prefaced with the stories of how each hymn came to be, with the background vocals and instrumentals arranged and conducted by Ralph Carmichael.”
LOL
Dude....
Most modern Christmas Specials feel it’s necessary to ‘balance’ anything good, sweet and peaceful with something bad, sour and chaotic. Why? Supposedly to ‘humanize’ the protagonist. Make them more obviously flawed, just like us.
The thing is, most folks want to see portrayals of ideal behavior, unlike us. This portrayal of good quality is to remind us what we can/should aspire to become or to possess, if not just for one day out of the whole cynical year.
Now buried in the deepest section of the Disney vault under copies of Song of the South.
The Holiday Special aired November 17 1978. The very next day Jim Jones led over 900 to suicide in the Guyana jungle. Coincidence?
Oh my!
Awww. You sweet talker you!!!
The Hallmark movies are sweetly predictable. Same romantic plot, pretend snow, Christmas decorations. We watch every Saturday night because, well , we are just old fashioned enough to appreciate the clean language and romance of it all.
MSM has attempted to extinguish the REASON for the SEASON.
However, the LIGHT that shines in darkness can never be put out.
Christ, the Eternal Word
1 In the beginning the Word already existed.
The Word was with God,
and the Word was God.
2
He existed in the beginning with God.
3
God created everything through him,
and nothing was created except through him.
4
The Word gave life to everything that was created,
and his life brought light to everyone.
5
The light shines in the darkness,
and the darkness can never extinguish it.
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