From Wikipedia, the free encyclopedia
Hector Berlioz[1] (French: [É›ktÉ”Ê bÉ›ÊljoËz]; 11 December 1803 – 8 March 1869) was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts (Requiem). Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works, and conducted several concerts with more than 1,000 musicians.[2] He also composed around 50 songs. His influence was critical for the further development of Romanticism, especially in composers like Richard Wagner, Nikolai Rimsky-Korsakov, Franz Liszt, Richard Strauss, and Gustav Mahler.[3]
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https://en.wikipedia.org/wiki/Hector_Berlioz
Te Deum (Berlioz)
From Wikipedia, the free encyclopedia
The Te Deum (Op. 22 / H.118) by Hector Berlioz (1803–1869) was completed in 1849. Like the earlier and more famous Grande Messe des Morts, it is one of the works referred to by Berlioz in his Memoirs as "the enormous compositions which some critics have called architectural or monumental music." While the orchestral forces required for the Te Deum are by no means as titanic as those of the Requiem, the work does call for an organ that can compete on equal terms with the rest of the orchestra. It lasts approximately fifty minutes and derives its text from the traditional Latin Te Deum, although Berlioz made some changes to word order for dramatic purposes.
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https://en.wikipedia.org/wiki/Te_Deum_(Berlioz)
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