This points out what’s wrong with music critics. Evancho isn’t strutting in costume at the Met. Her voice is accessible, her tonality precise. Think Celine Dion without singing about “lerve”.
She’s young, and much of the subtleties of phrasing do not come without years of work. What is she, 18?
For years these same critics have praised tenors and sopranos with such powerful vibrato that the original note was mystery.
Fifteen!