I would have liked to have seen Concert master Harry Ellis Dickson move into Fiedler’s place when the Maestro retired.
He often subbed for him and knew the music intimately.
The Boston Pops Orchestra had seventeen conductors before 1930, when Arthur Fiedler began a fifty-year tenure as the Pops conductor. Under Fiedler’s direction the orchestra’s popularity spread far beyond the city of Boston through recordings, radio and television. Unhappy with the reputation of classical music as being solely for affluent concert goers, Fiedler made efforts to bring classical music to a wider audience. He instituted a series of free concerts at the Hatch Shell on the Esplanade, a public park beside the Charles River. Fiedler insisted that the Pops Orchestra play popular music as well as well-known classical pieces, opening up a new niche of popular symphonic music. Of the many musical pieces created for the orchestra, the Pops’ most identifiable works were the colorful novelty numbers composed by Fiedler’s close friend Leroy Anderson, including “Sleigh Ride”, “The Typewriter” and many others.
Under Fiedler’s direction, the Boston Pops sold more commercial recordings than any other orchestra in the world, with total sales of albums, singles, tapes, and cassettes exceeding $50 million. The orchestra’s first recordings were made in July 1935 for RCA Victor, including the first complete recording of George Gershwin’s Rhapsody in Blue. The Pops made their first high fidelity recording on June 20, 1947, of Gaîté Parisienne (based on the music of Jacques Offenbach), and recorded the same music seven years later in stereophonic sound, their first venture in multitrack recording.
Fiedler is also credited with having begun the annual tradition of the Fourth of July Pops concert and fireworks display on the Esplanade, one of the best-attended Independence Day celebrations in the country with estimated crowds of 200,000–500,000 people. Also during Fiedler’s tenure, the Pops and local public television station WGBH developed a series of weekly televised broadcasts recorded during the Pops’ regular season in Symphony Hall, Evening at Pops.
Source: Wikipedia