Like many classic folk ballads, the authorship of “The House of the Rising Sun” is unknown. Some musicologists believe it is based on the tradition of broadside ballads such as the “Unfortunate Rake” of the 18th century which were taken to America by early settlers. Many of these had the theme of “if only” and after a period of evolution, they emerge as American songs like “Streets of Laredo”.
Alan Price of The Animals has claimed that the song was originally a sixteenth-century English folk song about a Soho brothel, and that English emigrants took the song to America where it was adapted to its later New Orleans setting.[1]
The oldest known existing recording is by Appalachian artists Clarence Ashley and Gwen Foster and was made in 1933. Ashley said he had learned it from his grandfather, Enoch Ashley. Alger “Texas” Alexander’s “The Risin’ Sun,” recorded in 1928, is sometimes mentioned as the first recording, but is a completely different song.
The song might have been lost to obscurity had it not been collected by folklorist Alan Lomax, who, along with his father, was a curator of the Archive of American Folk Song for the Library of Congress. On an expedition with his wife to eastern Kentucky Lomax set up his recording equipment in Middlesborough, Kentucky in the house of a singer and activist called Tilman Cadle. On September 15, 1937 he recorded a performance by Georgia Turner, the 16 year-old daughter of a local miner. He called it “The Risin’ Sun Blues.” Lomax later recorded a different version sung by Bert Martin and a third sung by Daw Henson, both eastern Kentucky singers. In his 1941 songbook Our Singing Country, Lomax credits the lyrics to Turner, with reference to Martin’s version. According to his later writing, the melody bears similarities to the traditional English ballad “Matty Groves
http://en.wikipedia.org/wiki/The_House_of_the_Rising_Sun
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