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To: Free ThinkerNY

Anyone heard of him before? I never did but prayers to his family just the same.


11 posted on 08/02/2010 10:26:08 AM PDT by napscoordinator
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To: napscoordinator

My dad loved the show.
It was from a kinder, gentler time...


18 posted on 08/02/2010 10:29:03 AM PDT by Eric in the Ozarks (Impeachment !)
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To: napscoordinator
Mitch Miller was one of the most important producers of the Fifties. He defined the country and rockabilly sound at Columbia Records, where he was the director of A&R (artists and repetoire). Marty Robbins and other country singers got a huge leg up with Miller's male chorus backing them on recordings.

I truly didn't know he was still around. He was a genuine giant.

27 posted on 08/02/2010 10:39:44 AM PDT by Publius (Unless the Constitution is followed, it is simply a piece of paper.)
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To: napscoordinator
Mitch Miller. Oh yes, us older FReepers probably sang along with him when we were kids.

"Be Kind to your web footed FRiends."

34 posted on 08/02/2010 10:43:16 AM PDT by mware (F-R-E-E, that spells free, Free Republic.com baby.)
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To: napscoordinator

Listen to the theme of the movie “The Longest Day” and you’ll get a nice appreciation for the man and his music.


36 posted on 08/02/2010 10:44:05 AM PDT by paddles ("The more corrupt the state, the more it legislates." Tacitus)
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To: napscoordinator
Anyone ever heard of him before?

He was one of the best known entertainment personalities in the US in the sixties. Then it seems as if no one ever heard from him since.

Your question indicates that you are young. (LOL!!!)

59 posted on 08/02/2010 11:23:47 AM PDT by justiceseeker93
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To: napscoordinator

Miller established the primacy of the producer, proving that even more than the artist, the accompaniment, or the material, it was the responsibility of the man in the recording booth whether a record flew or flopped. Miller also conceived of the idea of the pop record “sound” per se: not so much an arrangement or a tune, but an aural texture (usually replete with extramusical gimmicks) that could be created in the studio and then replicated in live performance, instead of the other way around. Miller was hardly a rock ‘n’ roller, yet without these ideas there could never have been rock ‘n’ roll. “Mule Train”, Miller’s first major hit (for Frankie Laine) and the foundation of his career, set the pattern for virtually the entire first decade of rock. The similarities between it and, say, “Leader of the Pack”, need hardly be outlined.


65 posted on 08/02/2010 12:40:19 PM PDT by Borges
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