I just noticed that the curator himself thinks the painting was unusual for a Van Gogh.
I would like to know what markers they used to authenticate it, other than the art store stamp and the pigments. What about stylistic markers?
I see Cormon himself, at the easel. Van Gogh is NOT the one crouching in front of Cormon with an easel, contrary to what another internetter thinks. If you follow a straight line from Cormon's head, Van Gogh is 3 heads behind him (with a long space between Van Gogh and the person in front of him). I also see Toulouse-Lautrec, right in the front with a bowler hat. As a comparison, see this [one photo contains nudity - NOT safe for work - scroll down to see Toulouse-Lautrec - don't click if you're offended by nudity].
If anyone has any ideas on who some of the others might be...