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Why the Rolling Stones ruled the Seventies
Telegraph UK ^ | 5/13/09 | Neil McCormick

Posted on 05/13/2009 12:53:12 PM PDT by pissant

It was in the Sixties that the Rolling Stones first found global fame – but a magnificent new clutch of re-releases from the Seventies confirms it was then that Mick, Keef and the boys struck artistic gold.

Universal Music recently announced the imminent release of "14 remastered classic albums" from the Rolling Stones. It is a laughable claim. They may well be The Greatest Rock And Roll Band In The World (a title they conferred upon themselves when introducing live shows in the late Sixties), but I don't know if anyone but the most rabid fan could name more than a handful of Stones albums still worth listening to in their entirety, particularly when the list of the latest reissues excludes their Sixties heyday.

Yet, the imminent first batch of re-releases from the Seventies (Sticky Fingers, Goats Head Soup, It's Only Rock N Roll and Black and Blue) serve as a potent reminder of exactly why the Stones have endured. For a golden period, they released a series of albums almost untouchable in the pop pantheon as examples of free-flowing, high-spirited, elegantly extemporised blues, country and rock and roll. And, it was the replacement of the increasingly dysfunctional multi-instrumentalist Brian Jones with lyrical, technically audacious, young guitarist Mick Taylor (19 when he joined) that resulted in that golden period.

(Excerpt) Read more at telegraph.co.uk ...


TOPICS: Arts/Photography
KEYWORDS: rollingstones
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To: pissant

I can’t claim to have been a fan my entire life. I think it was really those “gangster” movies like Goodfellas and Casino that really turned me on to the Stones. They’ve got some excellent music to get “whacked” to.


61 posted on 05/13/2009 1:51:17 PM PDT by mmichaels1970
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To: Seruzawa
Just compare the beginning riff of “Can’t You Hear Me Knocking” to anything Wood ever did. Mick’s riff rivals any R&R riff anywhere.

Actually, that churning riff belongs to Richards, but otherwise, point taken.

62 posted on 05/13/2009 1:53:27 PM PDT by Drew68
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To: xp38

“Gimme Shelter” was off “Let it Bleed” -1969.

I agree with several here. For me, I remember Elton John ruling the airwaves.
The Who could DEFINITELY blow the doors off ANYBODY period.

And... The golden age for the Stones (IMHO) was 1968 thru 1973.

Mick Taylor REALLY upped the Stones game. It’s a shame things didn’t go well with him there.


63 posted on 05/13/2009 1:53:39 PM PDT by joethedrummer
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To: pissant
{{{donning flamesuit}}}

The Stones never impressed me in the Seventies or earlier/later ... prog rock fan here: Yes and Genesis (Gabriel era) owned the '70s as far as I'm concerned.

The longer and more complex the compositions the better ... I never got punk or any of the so-called 'rock critics' who screamed 'pretentious' at any band that really knew how to play their instruments.

64 posted on 05/13/2009 1:55:02 PM PDT by bassmaner (Hey commies: I am a white male, and I am guilty of NOTHING! Sell your 'white guilt' elsewhere.)
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To: bassmaner
I never got punk or any of the so-called 'rock critics' who screamed 'pretentious'

If you think that it's pretentious...you'll be taken for a ride....

(Rael Lives!)

65 posted on 05/13/2009 1:57:31 PM PDT by dfwgator (1996 2006 2008 - Good Things Come in Threes)
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To: Seruzawa
Did you know that the guitar solo on "Can't You Hear Me Knocking" is the guitar solo on "Honky Tonk Woman" played backwards.

I also feel that the Stones best three albums are Beggars Banquet, Let It Bleed, and Sticky Fingers with Exile On Main Street getting honorable mention.

66 posted on 05/13/2009 1:59:34 PM PDT by skimask (When dealing with people who value death over life, traditional means of deterrence will not work)
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To: Lurker; pissant
The best concert I ever went to was in 1972, TRAFFIC at the Santa Monica Civic. Steve Winwood is my favorite. I love 70s music.

There are some great professionally done videos of the concert with original live footage on youtube:

Dear Mr. Fantasy

Glad

Freedom Rider

John Barleycorn Must Die

Forty Thousand Headmen

The Low Spark Of High-Heeled Boys Rainmaker


67 posted on 05/13/2009 2:00:23 PM PDT by calcowgirl (RECALL Abel Maldonado! - NO on Props 1A 1B 1C 1D 1E 1F)
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To: pissant

I think the Stones were at their very best when they went deeply into the old style electric blues. They could have showcased Chicago, Memphis or Texas blues in grand collaboration with the greatest living blues artists from the 1970s on and redirected music history, making them accessible to new generations.

As it was, there has been a disconnection between rock ‘n’ roll and blues, that leaves the former shallow, if innovative, and the latter somewhat stagnant.

The next collection produced for the Stones should be their complete history, by singles, not albums.


68 posted on 05/13/2009 2:02:34 PM PDT by yefragetuwrabrumuy
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To: calcowgirl
Thanks for that. I never had the chance to see Traffic.

If you've never rented the digitally remastered "Last Waltz" I recommend it highly.

69 posted on 05/13/2009 2:04:34 PM PDT by Lurker (The avalanche has begun. The pebbles no longer have a vote.)
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To: pissant

Or K.C and The Sunshine Band


70 posted on 05/13/2009 2:04:58 PM PDT by skimask (When dealing with people who value death over life, traditional means of deterrence will not work)
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To: Drew68

The Stones with Gallagher would have been awesome!


71 posted on 05/13/2009 2:07:04 PM PDT by rockrr (Global warming is to science what Islam is to religion)
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To: trillabodilla

Summer 1969 on “Let It Bleed”


72 posted on 05/13/2009 2:07:49 PM PDT by skimask (When dealing with people who value death over life, traditional means of deterrence will not work)
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To: Cletus.D.Yokel
Funny you say that because those were considered “go to” songs for tail-chasers. That and the entire Houses of the Holy album.

There's a scene or two about that in Fast Times at Ridgemont High, I believe.

73 posted on 05/13/2009 2:10:20 PM PDT by Charles Martel ("Endeavor to persevere...")
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To: pissant

definitely. they had a good run. most rock bands don’t really have more than a few years of putting out top level material.

The Beatles went from the early 60s to the late 60s. They played Ed Sullivan in Feb of 64, 5 years later they were finished.

Led Zeppelin 1 came out in 1969, 4 was 1971, even Physical Grafitti was 75.

The Stones really flourished from the mid to late 60s to the early 70s. Haven’t really had a memorable song since Start Me Up in 1981.

Look at Van Halen, AC/DC, the Eagles, The Who, Pink Floyd, etc... the same 5-10 yr span.

It’s very rare a band goes more than a decade putting out good material.

U2 is sort of an exception. They had great albums from 83-90. Then sucked the entire 90s, and have had some decent stuff since this decade, but their last album was nothing special. Even the Vertigo album wasn’t that great.

If you can put out 3 great albums and a few good songs every now and then that’s pretty good.

But Mick even at 65 or whatever he is, is still the best front man in rock bar none. No one puts more into a show, owns the stage, and just exemplifies rock like Mick, even now. He still tears it up.


74 posted on 05/13/2009 2:11:11 PM PDT by jeltz25
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To: pissant
Pop artists are at their best when they're hungry. That's how the Stones could outdo Chuck berry on Down the Road Apiece and the Valentinos on the still incredible sounding It's All Over Now. Once their bellies got full they did the atrocious covers of the Temptations, and their own output suffered. And don't even think of getting me started on the pretentious 70s art rock that killed rock and roll with meaningless noodling of unschooled musicians. Gimme Bo Diddley any time!
75 posted on 05/13/2009 2:11:23 PM PDT by Revolting cat! (Let us prey!)
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To: Lurker

Oh, now there is some more great music!


76 posted on 05/13/2009 2:13:38 PM PDT by calcowgirl (RECALL Abel Maldonado! - NO on Props 1A 1B 1C 1D 1E 1F)
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To: Skooz

They definitely did rock. When Roger would start twirling that microphone and Pete would start with the windmills...nothing like it.

It’s kind of sad now when it’s just the two of them. Pete still rocks, but Roger’s lost a few steps.


77 posted on 05/13/2009 2:14:19 PM PDT by jeltz25
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To: calcowgirl

I’m not a huge fan of Traffic, though I was at one time and did buy a couple of their albums. I do appreciate Stevie Winwood as being quite talented though.

I’ve kinda drifted away from alot of the 60s and 70s pot smoking music, which I include Traffic and the Dead as part of. I now much prefer the kick butt R&R from that era. Stones, early ZZ Top, Allman Bros., Rory Gallagher, Jethro Tull; as well as my constant faves Dylan and Van the man.


78 posted on 05/13/2009 2:15:44 PM PDT by pissant (THE Conservative party: www.falconparty.com)
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To: pissant

I’ve been in several classic rock bands. The stones stuff is always the easiest to play and, to me, the most boring stuff. I never liked their music. That’s not to say they may not be able to put on a “show”, but the music itself? Meh.

Even The Who was better, at least to me. It is a LOT harder for me to emulate Entwhistle, I might add.


79 posted on 05/13/2009 2:16:42 PM PDT by RobRoy (I'm wearing a cast on one hand. My spelling and clarity may not be up to par right now.)
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To: jeltz25
It’s kind of sad now when it’s just the two of them. Pete still rocks, but Roger’s lost a few steps.

Well the guy is in his mid 60s. But when it was Pete-Roger-Ox and Moonie, those guys were all at the top of the game at their instrument. As the last "Who" (they haven't been the Who since 77), tours have shown, you just could not replace any one of those guys and have it be the same. Nobody drummed like Moon, nobody played bass like Ox, nobody plays guitar like Pete...and Roger's vocals also very unique.

80 posted on 05/13/2009 2:17:38 PM PDT by dfwgator (1996 2006 2008 - Good Things Come in Threes)
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