First Sunday Music - Mozart

[HoosierHawk]

Wolfgang Amadeus Mozart

His Childhood

Born January 27, 1756, in Salzburg, and baptized Johannes Chrysostomus Wolfgangus Theophilus Mozart, he was educated by his father, Leopold Mozart, who was concertmaster in the court orchestra of the archbishop of Salzburg and a celebrated violinist, composer, and author. By the age of six Mozart had become an accomplished performer on the clavier, violin, and organ and was highly skilled in sight-reading and improvisation. Five short piano pieces composed by Mozart when he was six years old are still frequently played.

Leopold took Wolfgang on the first of many successful concert tours through the courts of Europe. During this period Wolfgang composed sonatas for the harpsichord and violin, (1763), a symphony, (1764), an oratorio, (1766), and the comic opera, La finta semplice, (The Simple Pretense, 1768). In 1769, Mozart was appointed concertmaster to the archbishop of Salzburg, and later in the same year, at La Scala, (Milan, Italy), he was made a chevalier of the Order of the Golden Spur by the pope. He also composed his first German operetta, Bastien und Bastienne, in the same year. At the age of 14, he was commissioned to write a serious opera. This work, Mitridate, rè di Ponto (Mithridates, King of Pontus, 1770), produced under his direction at Milan, completely established an already phenomenal reputation.

The Mozarts returned to Salzburg in 1771. Hieronymus, count von Colloredo, the successor to the archbishop of Salzburg, who had died while the Mozarts were touring Italy, cared little for music. Mozart's appointment at Salzburg, however, proved to be largely honorary; it allowed ample time for a prodigious musical output during his next six years, but afforded little financial security. In 1777, Mozart obtained a leave of absence for a concert tour and left with his mother for Munich.

His Later Life

The courts of Europe ignored the 21-year-old composer in his search for a more congenial and rewarding appointment. He traveled to Mannheim, then the musical center of Europe because of its famous orchestra, in hopes of a post, and there fell in love with Aloysia Weber. Leopold promptly ordered his son and wife to Paris. His mother's death in Paris in July 1778, his rejection by Weber, and the neglect he suffered from the aristocrats whom he courted made the two years from Mozart's arrival in Paris until his return to Salzburg in 1779, one of the most difficult periods in his life.

While at home, Mozart composed two masses and a number of sonatas, symphonies, and concertos; these works reveal for the first time a distinctive style and a completely mature understanding of musical media. The success of Mozart's Italian opera seria Idomeneo, rè di Creta, (Idomeneo, King of Crete), commissioned and composed in 1781, prompted the archbishop of Salzburg to invite Mozart to his palace at Vienna. A series of court intrigues and his exploitation at the hands of the court soon forced Mozart to leave. In a house in Vienna rented for him by friends, he hoped to sustain himself by teaching. During this period, Mozart composed a singspiel, (a type of German operetta with some spoken dialogue), called, "The Abduction from the Seraglio," which was requested by Emperor Joseph II in 1782.

In the same year, Mozart married Constanze Weber, Aloysia's younger sister. Unending poverty and illness harassed the family until Mozart's death. The Marriage of Figaro, (1786), and Don Giovanni, (1787), with librettos by Lorenzo Da Ponte, while successful in Prague, were partial failures in Vienna. From 1787 until the production of Così fan tutte (All Women Do So, 1790, again with a libretto by Da Ponte), Mozart received no commissions for operas. For the coronation of Emperor Leopold II in 1791 he wrote the opera, "Seria La clemenza di Tito", (The Clemency of Titus; libretto by Metastasio). His three great symphonies of 1788, No. 39 in E-flat, No. 40 in G Minor, and No. 41 in C, (the Jupiter), were never performed under his direction. While Mozart was working on the singspiel, "The Magic Flute", (1791), an emissary of Count Walsegg mysteriously requested a requiem mass. This work, uncompleted at Mozart's death, proved to be his last musical effort. He died, presumably of typhoid fever, in Vienna on December 5, 1791; his burial was attended by few friends. The place of his grave is unmarked. The legend that the Italian composer Antonio Salieri murdered him is unsupported by reputable scholars. Some historians believe Mozart died of thyphoid fever.

Mozart Piano Concertos I

Mozart Piano Concertos II

A Philips production of Neville Marriner conducting the Academy of St Martin in the Fields with pianist Alfred Brendel

[Gatún(CraigIsaMangoTreeLawyer)]

Thank you again!!!

[AZamericonnie]

Perfect music for an overcast day HH!

Thank you....*Hugs*

[Frantzie]

No Leonard Bernstein versions. He was a big pal of the Black Panthers, highly overrated and a huge lib. There a better versions.

[Gatún(CraigIsaMangoTreeLawyer)]

This puts me into such a good mood, hugs to everybody on this thread...We have to be picky. : )

By the way, my wonderful father was born in Brazil, Indiana. He graduated from Rose Polytechnic Institute (when it was known by that name) as an electrical engineer, and then he moved to the Canal Zone.

While we were still children, we spent 3 months in Terre Haute and went to school there during that short time.

What wonderful memories I have of those times.

We would sometimes cross to Illinois; but before crossing the Wabash River, there was a fountain of water next to the river that smelled of rotten eggs. It was the water being discharging from below. It had nothing to do with bad sanitation.

I wonder if it still exists.

[Gatún(CraigIsaMangoTreeLawyer)]

P.S.

The water was full of sulfur or something, hence the very strong smell.

[sitetest]

Dear HoosierHawk,

Thanks for the ping!

Classical Music Ping List ping!

If you want on or off this list, let me know via FR e-mail.

Thanks,

sitetest

[billorites]

It's quality work. And there are simply too many notes, that's all.
Just cut a few and it will be perfect.

[Emperor Palpatine]

The best performance of No. 24 in C minor IMHO was done by Robert Casadesus with The Cleveland Orchestra under Herr Doktor Szell back in 1961.

Casadesus also plays the interesting cadenza written a century later by Camille Saint-Saens. I’ve tried that one too in this concerto and it does work in performance rather well, although Hummel’s is the more standard one....especially if you’re playing and conducting from the keyboard as I did. Its far easier to bring the tutti back in correctly under Hummel’s sustained trills than the staggered octave crescendo in the Saint-Saens 1st movement cadenza.

Plus don’t forget the deft and sparkling performances of the concerti by the late and relatively unknown Austrian pianist Ingrid Häebler, especially the D minor K466.

[Emperor Palpatine]

Their totally different personalities at work would have been interesting to compare like that.

As one of my teachers once explained to me, “Beethoven struggles to heaven, Mozart comes from heaven.”

[Emperor Palpatine]

He’s another of those composers who died young like Schubert and Gershwin that makes one wonder “What if?”

[Gatún(CraigIsaMangoTreeLawyer)]

Tradgic indeed.

[Gatún(CraigIsaMangoTreeLawyer)]

For a moment, I thught that was Barbra (sp?) Bush on stage right.

(Barbra is spelled in several ways...sorry.)

[Gatún(CraigIsaMangoTreeLawyer)]

“What if” always. How tragic.

[curmudgeonII]

"When the angels speak to God, they speak Bach;
"When the angels speak to other angels, they speak Mozart."

[HoosierHawk]

Gatún, Rose Polytechnic Institute is now known as Rose-Hulman Institute of Technology.

One of my daughter's friends received a substantial scholarship from Rose-Hulman and just loves it.

[HoosierHawk]

And Hugs to you. Hope all is well with you.

[mojo114]

Thank you both for a making a wonderful musical few hours for us here in CT this evening.

[Borges]

Salieri is one of the most slandered musicians in history. By all accounts he was a good man and actually helped raise money for Mozart’s widow by conducting benefit concerts.

[Borges]

Mozart never developed as a Symphonist. Only the last three were written as a coherent group. He just missed hearing Haydn’s London Symphonies by a few years and the Eroica by 14. Though I think he would have regarded Beethoven’s music as ugly.

[baa39]

Beautiful! Sung Latin with Spanish subtitles was a bit disconcerting. For those who don’t speak Spanish, or just would like a bit more insight into the meaning of the words:

http://www.users.on.net/~algernon/aveverum/translation.html