Posted on 11/23/2008 7:49:08 AM PST by Borges
What would happen if a leading British-based music magazine ranked the world's leading orchestras and the "winning" U.S. ensemble didn't care?
That's basically what's happened when leaders of the Chicago Symphony Orchestra shrugged their collective shoulders over the London monthly the Gramophone saying that it's the top classical outfit in the United States.
"I think it is safe to say that we are not advocates or necessarily firm believers in lists of this sort, given the subjective nature of these types of rankings," said CSO President Deborah Rutter, using the sort of language that one usually hears from someone who's just been voted off the island, not named king of the hill.
Although such surveys are basically not much more than publicity gimmicks for the outlet conducting and trumpeting them, the Gramophone's December cover story list is a cut above many similar lists. (I've heard all 20 international orchestras on the list perform live, as well as two other excellent and historic U.S. orchestras that are odd omissions from the list, the Philadelphia Orchestra and the Pittsburgh Symphony.)
Coming out on top is Amsterdam's universally revered Royal Concertgebouw Orchestra, a superb orchestra that was led for decades by the CSO's current principal conductor, Bernard Haitink. Not surprisingly, the top ensembles of Berlin, Vienna and London follow and Chicago pops up at No. 5 on the overall chart.
Perhaps the biggest winner in the pack, though, is the Concertgebouw's music director Mariss Jansons. The Latvian-Jewish conductor has two ensembles in the Gramophone's "Top 10" -- Munich's Bavarian Radio Symphony Orchestra was rated No. 6 overall, just behind the CSO and just before the exceptional Cleveland Orchestra.
The high ranking for the Dresden Staatskapelle (No. 10) seems reasonable after their outstanding showing at Orchestra Hall on Sunday. The Los Angeles Philharmonic at No. 8, three places above the far superior Boston Symphony Orchestra, seems a stretch, although well-traveled Los Angeles Times critic Mark Swed was on the Gramophone jury. A top 10 spot for the spunky Budapest Festival Orchestra is another oddity. Former CSO music director Daniel Barenboim's Berlin Staatskapelle is nowhere to be seen.
"As everyone should know," Rutter continued in an e-mail, "on any given evening anywhere and everywhere in the world there are 'best concerts' taking place by many great orchestras. Music is always a subjective experience, and that's why there isn't and can't be a World Series in our world to firmly, regularly rank orchestras.
"All that said, in any case, it is wonderful to have international recognition of our truly superb and peerless orchestra."
I have never heard the Cleveland Orchestra in person, but I must have at least 20 CDs by them, and there isn’t one that isn’t absolutely stellar.
I have about 800 CDs, but haven’t purchased a CD in about 6 years. I mainly listen to classical music on free Internet Radio, which is now CD-quality. Who needs to purchase CDs anymore?
And do we need a 100th version of the popular symphonies by Brahms and Bach?
HAHA...Excellent! Never heard that one...
A classic.
Well if you don’t support the industry it will eventually vanish. Orchestras need all the support they can get.
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