Posted on 05/15/2007 9:07:10 PM PDT by Borges
CANNES, France - The 60th annual Cannes Film Festival opens Wednesday as a celebration of celluloid and celebrity, with a lineup including George Clooney, Angelina Jolie, Michael Moore and Quentin Tarantino.
Wong Kar-wai — a long-standing Cannes favorite — opens the festival Wednesday with "My Blueberry Nights," his first English-language film and the acting debut of singer Norah Jones, who stars as a heartbroken waitress alongside Jude Law, Natalie Portman and Rachel Weisz.
The Hong Kong director is joined by several other returning Cannes veterans — four of the 22 directors competing for the coveted Palme d'Or have won the top prize before: Tarantino's gory "Death Proof" is in the running, as are the Coen brothers' Rio Grande thriller "No Country for Old Men," Gus Van Sant's "Paranoid Park" and "Promise Me This" from Sarajevo-born Emir Kusturica.
Moore will not be taking home a second Palme d'Or to match the one he won for "Fahrenheit 9/11" in 2004. "Sicko," his documentary taking the pulse of the U.S. health care system, is getting its world premiere in an out-of-competition slot. But it has already generated more attention than any film in the festival, thanks to a U.S. Treasury Department investigation into a trip Moore took to Cuba — accompanied by a group of ailing Sept. 11 rescue workers — during the making of the film.
The investigation spurred producers to spirit the negative of the film outside of the United States in case the government tried to seize it, said Harvey Weinstein, whose Weinstein Co. is releasing "Sicko."
"It was like a middle-of-the-night operation from a spy novel, moving your negative to another country," he said.
Between Wednesday and May 27, the red carpet on Cannes' beachfront Croisette will glitter with celebrities. Clooney is due to promote caper threequel "Ocean's Thirteen," Leonardo DiCaprio brings environmental documentary "The 11th Hour," and celebrity super couple Brad Pitt and Jolie are expected to be on hand — he for "Ocean's Thirteen," she for "A Mighty Heart," in which she plays the widow of slain journalist Daniel Pearl.
Among the most-anticipated films: "Persepolis," an animated adaptation of Marjane Satrapi's graphic novel about growing up after Iran's Islamic revolution; "The Edge of Heaven" by Turkish-German director Fatih Akin; "The Man From London" by Hungary's Bela Tarr; and Mexican director Carlos Reygadas' Mennonite melodrama "Stellet Licht" (Silent Light).
"Cannes has always tried to blend high art and blockbuster films," said Mike Goodridge, U.S. editor of trade magazine Screen International. That winning formula — and a glamorous Riviera location — have made it, he said, "the ultimate film festival."
This year's competition includes films from Russia, Romania, France, South Korea and Japan.
Cannes has always been special. Founded in 1939 as an alternative to the fascist-dominated Venice Film Festival in Mussolini's Italy — and almost immediately canceled because of the outbreak of World War II — Cannes came to symbolize international glamor in the years after the war. Grace Kelly graced the corridors of the elegant Carlton hotel, and Brigitte Bardot caused a sensation on the red carpet.
Cannes manages to blend glitz and artistic credibility in a way no other film festival does. Past winners of the top prize include some of the most acclaimed films of all time — "Rome, Open City," "Taxi Driver," "Apocalypse Now" — as well as a few that are best forgotten.
The 12-day film feast includes some lighter fare, from DreamWorks' animated "Bee Movie" to self-explanatory rockumentary "U2 3D." Then there are the hundreds of out-of-competition shorts, shoestring features and student films, including the memorably named "The Golden Nazi Vampire of Absam: Part II — The Secret of Kottlitz Castle."
The hardiest film fans had already staked out prime star-spotting turf on Tuesday.
Beatrice Eon, 42, traveled from Saint-Lo in northwestern France for a second year to secure her place across from the red carpet. She didn't know what stars she would see — and didn't much care. She was there to absorb the magic of Cannes.
"Les stars!" she said. "The glamour!"
I will always been interested in see a Coen Brothers movie, and Grindhouse was great, but other than that nothing sounds that good.
The Coen’s last couple (Intolerable Cruelty, The Ladykillers) have been an unfortunate lurch torwards the mainstream. I hope they get their groove back here.
WGAS?
Huh?
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.