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To: Republicanprofessor
Turner to Rothko is a BIG stretch.

Rothko's colors are not found in nature - Turner's always are.

Rothko's shapes are symmetrical and static - Turner's never are.

I love Turner. I can't stand Rothko.

BTW, here's my favorite Ingres - showing clearly the impossible distortions that were often hidden in Neoclassical "realism" -

the Romantics were really more realistic, if you see what I mean.

6 posted on 05/11/2006 3:16:49 PM PDT by AnAmericanMother ((Ministrix of Ye Chase, TTGC Ladies' Auxiliary (recess appointment)))
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To: AnAmericanMother

There is something cloying about Ingres that bothers me more than his distortions. But Thetis is pretty rubbery in that work.

Ah, now that I know your interest in life is literary, it explains your knowledge and preferences in art.

Now, I know you must have seen some Rothkos in person, so I can't say that is the matter. The Rothkos with the hard edges are less intriguing than the blurred blocks, to me.

I'm probably pushing Rothko too much lately; I don't know why. Probably because I just finished teaching his work. When the exams are corrected, I'll be burnt out and move on to someone else....


10 posted on 05/11/2006 3:29:11 PM PDT by Republicanprofessor
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To: AnAmericanMother

Wow. Never saw this before. A regular Dagny and John Galt, eh?


20 posted on 05/11/2006 8:15:17 PM PDT by Mamzelle
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To: AnAmericanMother
Note the similar profiles between Thetis in Ingre's painting of Jupiter and Thetis and the faces in Picasso's Guernica:
25 posted on 05/12/2006 6:25:11 AM PDT by TradicalRC ("...this present Constitution, which will be valid henceforth, now, and forever..."-Pope St. Pius V)
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