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Akeelah and the Bee [4 star review from Roger Ebert - his highest rating]
Chicago Sun Times ^ | April 28, 2006 | Roger Ebert

Posted on 04/29/2006 2:00:18 PM PDT by grundle

Akeelah Anderson can spell. She can spell better than anyone in her school in South Central Los Angeles, and she might have a chance at the nationals. Who can say? She sees the National Spelling Bee on ESPN and is intrigued. But she is also wary, because in her school there is danger in being labeled a "brainiac," and it's wiser to keep your smarts to yourself. This is a tragedy in some predominantly black schools: Excellence is punished by the other students, possibly as an expression of their own low self-esteem.

The thing with Akeelah (Keke Palmer) is that she can spell, whether she wants to or not. Beating time with her hand against her thigh as sort of a metronome, she cranks out the letters and arrives triumphantly at the words. No, she doesn't have a photographic memory, nor is she channeling the occult as the heroine of "Bee Season" does.

She's just a good speller.

The story of Akeelah's ascent to the finals of the National Spelling Bee makes an uncommonly good movie, entertaining and actually inspirational, and with a few tears along the way. Her real chance at national success comes after a reluctant English professor agrees to act as her coach. This is Dr. Joshua Larabee (Laurence Fishburne), on a leave of absence after the death of his wife and daughter. Coaching her is a way out of his own shell. And for Fishburne, it's a reminder of his work in "The Search for Bobby Fischer" (1993), another movie where he coached a prodigy.

Akeelah is mocked not only at school. Her own mother is against her. Tanya Anderson (Angela Bassett) has issues after the death of her husband, and values Akeelah's homework above all else, including silly afterschool activities like spelling bees. Akeelah practices in secret, and after she wins a few bees even the tough kids in the neighborhood start cheering for her.

Keke Palmer, a young Chicago actress whose first role was as Queen Latifah's niece in "Barbershop 2," becomes an important young star with this movie. It puts her in Dakota Fanning and Thora Cross territory, and there's something about her poise and self-possession that hints she will grow up to be a considerable actress. The movie depends on her, and she deserves its trust.

So far I imagine "Akeelah and the Bee" sounds like a nice but fairly conventional movie. What makes it transcend the material is the way she relates to the professor, and to two fellow contestants: a Mexican-American named Javier (J.R. Villarreal) and an Asian American named Dylan (Sean Michael Afable). Javier, who lives with his family in the upscale Woodland Hills neighborhood, invites Akeelah to his birthday party (unaware of what a long bus trip it involves). Dylan, driven by an obsessive father, treats the spelling bee like life-and-death, and takes no hostages. Hearing his father berate him, Akeelah feels an instinctive sympathy. And as for Javier's feelings for Akeelah, at his party, he impulsively kisses her.

"Why'd you do that?" she asks him.

"I had an impulse. Are you gonna sue me for sexual harassment?"

The sessions between Akeelah and the professor are crucial to the film, because he is teaching her not only strategy but how to be willing to win. No, he doesn't use self-help cliches. He is demanding, uncompromising, and he tells her again and again: "Our deepest fear is that we are powerful beyond measure." This quote, often attributed to Nelson Mandela, is actually from Marianne Williamson, but no less true for Akeelah (the movie does not attribute it).

Now I am going to start dancing around the plot. Something happens during the finals of the National Bee that you are not going to see coming, and it may move you as deeply as it did me. I've often said it's not sadness that touches me the most in a movie, but goodness. Under enormous pressure, at a crucial moment, Akeelah does something good. Its results I will leave you to discover. What is ingenious about the plot construction of writer-director Doug Atchison is that he creates this moment so that we understand what's happening, but there's no way to say for sure. Even the judges sense or suspect something. But Akeelah, improvising in the moment and out of her heart, makes it air-tight. There is only one person who absolutely must understand what she is doing, and why -- and he does.

This ending answers one of my problems with spelling bees, and spelling bee movies. It removes winning as the only objective. Vince Lombardi was dead wrong when he said, "Winning isn't everything. It's the only thing" (a quote, by the way, first said not by Lombardi but in the 1930s by UCLA coach Henry "Red" Sanders -- but since everybody thinks Lombardi said it, he won, I guess). The saying is mistaken because to win for the wrong reason or in the wrong way is to lose. Something called sportsmanship is involved.

In our winning-obsessed culture, it is inspiring to see a young woman like Akeelah Anderson instinctively understand, with empathy and generosity, that doing the right thing involves more than winning. That's what makes the film particularly valuable for young audiences. I don't care if they leave the theater wanting to spell better, but if they have learned from Akeelah, they will want to live better.


TOPICS: TV/Movies
KEYWORDS: akeelah; moviereview; spellingbee

1 posted on 04/29/2006 2:00:22 PM PDT by grundle
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To: grundle

A propos of nothing.

2 posted on 04/29/2006 2:03:24 PM PDT by martin_fierro (< |:)~)
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To: grundle
It sounds like an interesting movie, yet one with a politically correct bias.

We were at the National Spelling Bee last year (my son representing Colorado) and there were no stories even remotely close to the scenario outlined in the movie.

They also seem to stereotype the Chinese/Japanese kids as being the most driven by the parents. This is not true. The kids from India are mercilessly driven by their parents. Most of them did not take part in any of the sightseeing activities during the week. They were in their hotel rooms studying.
3 posted on 04/29/2006 2:27:48 PM PDT by politicket
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To: politicket

BUMP!


4 posted on 04/29/2006 3:22:19 PM PDT by Publius6961 (Multiculturalism is the white flag of a dying country)
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To: politicket

Congratulations to your son for making it to the national level. That is an awesome feat! I thought the movie was "based on a true story", maybe it was very loosely based, hmmm?


5 posted on 04/30/2006 8:16:38 PM PDT by luckymom (Forget the baby whales, save the baby humans.)
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To: grundle
in her school there is danger in being labeled a "brainiac," and it's wiser to keep your smarts to yourself. This is a tragedy in some predominantly black schools: Excellence is punished by the other students, possibly as an expression of their own low self-esteem.

Where did this attitude come from, that black kids mock other black kids for academic achievement?? I think I'll see this movie.

6 posted on 04/30/2006 8:20:17 PM PDT by Dr. Scarpetta
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To: luckymom
I thought the movie was "based on a true story", maybe it was very loosely based, hmmm?

The only part of the movie that had a shred of truth to it is that they used a number of actual spellers from past bees in the movie.

The only black children that I saw at last year's bee were GREAT kids and very well supported by their parents. i remember one black child in particular who had a father that literally stood in the back of the room and quietly prayed for his son during the entire written portion of the bee. You have to have a ton of parental support to make it to that level of competition.
7 posted on 04/30/2006 9:55:07 PM PDT by politicket
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