When there was a Cezanne retrospective in Philadephia several years ago, I went on my own and felt that it was like a pilgrimmage. Some of his earlier works are really heavy and ugly, showing a great deal of struggle. But the light and space and balance of his later landscapes are transcendent (I think). But many Freepers will disagree.
Portrait of Cezanne's father 1866 (an interesting contrast to a recent post about a portrait of Rembrandt's father being stolen).
Still life with Peppermint Jar, 1890. I actually like this still life, perhaps because it is most like a mountain.
Mt. Ste. Victoire from Bibemus Quarry 1880s.
I actually visited Provence and Aix in 2002. I was able to climb a bit of the mountain, kids in tow, and my husband went further (without the kids). It's a pretty busy town with few signs about Cezanne's studio, etc., so we never found that to visit. I expect the signs will be better this year. I'm tempted to return to see the show, or to plan a trip to D.C. There's something wonderful about his work; but it is really hard to explain.
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That looks like a great show. I was in Aix in 1999 and I don't remember knowing that Cezanne painted there. They really don't promote it much. It is a beautiful little town. We spent a lot of time looking for the museum in Pierre Bonnard's hometown, which is named for him, but had none of his work. I was with family and have a cousin who is an artist, so we had a built in art guide :) Maybe I'll get to Washington for the show. Doesn't look like Aix is in the cards any time soon.
I would kill (well, almost) for Pines and Rocks. Simplicity, complexity and beauty in perfect equilibrium. Security at MOMA is very good so I must settle for the occasional visit.