Posted on 04/11/2026 3:46:15 PM PDT by Twotone
Ethnic humour has become one of those things we don't do well anymore, or simply won't do because nobody wants to lose their job. Back when it was still tolerated – about fifteen or twenty years ago – what was left of ethnic humour (as practiced by comics like Dave Chappelle or Chris Rock) was gatekept by a single, unbreakable rule: you can only make an ethnic joke if you're a member of the ethnicity that's the butt of the joke.
Now, of course, this is largely off the table because nobody thinks the risk is worth it anymore. I couldn't help but think of this while watching Whisky Galore!, the 1949 Ealing comedy whose every plot point, gag and character relies on an ecosystem of Scottish stereotypes. If you wanted to be offended by Whisky Galore! (and I don't know why you would, but this has become a popular leisure activity today now that nobody joins clubs or bowling leagues) you would have to run it through the latest oppression meter, which is to say you have to figure out if the film is punching down, up or sideways.
Whisky Galore! doesn't make it easy. It's a film by an American-born Scottish director, based on a book by a Scottish writer, produced by a Russian Jew for a British studio, and cast with Scots and Brits playing Scots. Even more baffling was that, while it did very well in the UK, it was a big hit in America (under the title Tight Little Island). I suppose the ultimate arbiter is whether a Scot would find it offensive. I'm one-third Scottish and none of me was offended by the picture, though I'm sure you could find someone somewhere north of Hadrian's Wall who was...
(Excerpt) Read more at steynonline.com ...
There was only one Don Rickles…..
Oh, thanks! He was just brilliant, RIP! Can you imagine any of today’s snowflakes standing up to a barrage like that?
Supposedly Rickles was a caring and generous friend to many in his private life.
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