Have you actually stood in the window? Those many if not all the “documentaries” are shown from a different window because they blocked the correct window off from being disturbed shortly after the museum’s opening. I’ve stood in the correct window and the best shot would have been while the car was coming down Houston, not after the turn onto Elm. Oswald would have had to have crawled out onto the window ledge to get an aim and a miss would have hit Nellie Connally or Greer, the driver. That corner onto Elm is weird as it has a curve and a small hill so the target was moving two directions and out of range of the window. On S. Houston street, the car would have been travelling straight toward Oswald and on level ground. So, why didn’t Oswald take the easier shot?
A shooter from the grassy knoll or the railroad tracks would have taken the Elm St. shot but not the Houston shot.
Yes, a looked through the *actual* window. Now you can get close, but not stand in the actual window (it’s roped off). You are correct the shot down Houston is easy, and anyone in the window would have taken it, rather than waiting for the turn and then down Elm. Also, to shoot down Elm, you have to move into the middle of the window, and step toward the edge to be able to sight down the street - which makes you VERY visible. It’s at best a difficult shot, because the window frame/edge is blocking you. (You don’t see this in the “recreations”).
Secondly, the business with the pristine bullet found on the stretcher is completely a bogus plant.
I’ve stood in that spot and it’s
Painfully Obvious that an assassin
Could have Taken the Entire Vehicle Out.
The Grassy Knoll,among others, is where
The real DS got It’s Wings and that’s
the place where the Truth Dies.