down the memory hole.
And Hollywood pretends the old Communist blacklist had weight. Producers still used “blacklisted” figures with a pseudonym so the public wouldn’t get wise.
Yes, it would not be surprising that the ones who wrote for the Norman Lear shows like “All in the Family” circa 1971 were probably ones who had been in trouble with the HUAC back all of those years earlier or certainly were connected with ones who were.