Yeah, he was unfortunately the guy who started Gay Days. That being said, at least HE tried to keep leftism out of Disney’s films (probably the closest it ever got to left-wing territory under his direction was with Hunchback of Notre Dame), which is a heck of a lot more than what Bob Iger did, where he if anything doubled down on the rampant leftism in not just Disney-acquired properties, but even things made by Disney directly.
BTW, I’m not counting Beauty and the Beast regarding leftism being pushed, since that was more the fault of Jeffrey Katzenberg than Michael Eisner (heck, Eisner if anything approved of the Jim Cox draft of Beauty and the Beast, which actually was very close to the morals of the original tale, and it was Katzenberg who nixed it, and ultimately turned it into that leftist feminist screed by Linda Woolverton that bore very little commonality to the actual tale.).
BTW, I’m not counting Beauty and the Beast regarding leftism being pushed, since that was more the fault of Jeffrey Katzenberg than Michael Eisner (heck, Eisner if anything approved of the Jim Cox draft of Beauty and the Beast, which actually was very close to the morals of the original tale, and it was Katzenberg who nixed it, and ultimately turned it into that leftist feminist screed by Linda Woolverton that bore very little commonality to the actual tale.).
Well, okay, THOND and possibly also Atlantis: The Lost Empire if we go by Roarke’s attempt at gaining the crystal to make himself rich as an anti-capitalist statement (though to be fair, the guy who actually funded the exhibition was treated pretty decently, and was also an implied capitalist).