Posted on 10/26/2010 8:50:39 PM PDT by SunkenCiv
Austen's 'The History of England', a spoof history written by a teenage Jane Austen. Image by kind permission of the British Library and Jane Austens Fiction Manuscripts Digital Edition.
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Jane Austen had an editor? Who knew?
Doesn’t this guy, Sutherland, realize that first drafts are always garbage? The art of writing is revision.
Now my wife is going to be harder to live with than before. She’s a great fan of Jane Austen. I’ll never hear the end of it. And she now longer likes Stephen King.
Life is hard!
This is a revelation that writers have editors? I’m amazed but mostly thankful the British taxpayers footed this worthy and enlightening “project” instead of US.
They are probably attacking her because she was a conservative.
For most, revision after revision...
So the first draft of “Pride and Prejudice” opened with “It was a dark and stormy night”?
No, it was The milky white globes of her breasts glistened in the moonlight.
There must have been printers proofs back then, right?
I mean, who writes a clean first draft, anyway?
lol...i’m going to sic the vulgarity cops on you here
trust me...they are here...
i never knew till this past weekend....and they have “helper”
A woman could NEVER have written so intelligently. Yeah, that's the ticket.
John Murray II, who was also Byrons publisher, was Austens publisher for the last two years of her seven year publishing career, overseeing Emma, the second edition of Mansfield Park and Persuasion. Professor Sutherland explains: Sense and Sensibility, Pride and Prejudice and the first edition of Mansfield Park were not published by Murray and have previously been seen by some critics as examples of poor printing in fact, the style in these novels is much closer to Austens manuscript hand!
Studying Jane Austens unpublished manuscripts side-by-side for the first time also gave Professor Sutherland a more intimate appreciation of Austens talents. The manuscripts reveal Austen to be an experimental and innovative writer, constantly trying new things, and show her to be even better at writing dialogue and conversation than the edited style of her published novels suggest, she says.
She is above all a novelist whose significant effects are achieved in the exchanges of conversation and the dramatic presentation of character through speech. The manuscripts are unparagraphed, letting the different voices crowd each other; underlinings and apparently random use of capital letters give lots of directions as to how words or phrases should be voiced. Austen was also a great satirist. This thread in her writing is apparent in the sharp and anarchic spoofs of the teenage manuscripts and still there in the freakish prose of the novel she left unfinished when she died. The manuscript evidence offers a different face for Jane Austen, one smoothed out in the famous printed novels.'
I guess I’m odd in that I find it hard to read Jane Austen. I really enjoyed Emma Thompson’s adaptation of “Sense and Sensibility” for the movie, and was thrilled when she won an Oscar for it. And I liked the PBS adaptation of “Persuasion” with Ciaran Hinds.
Have you seen the newest BBC adaptation of Sense and Sensibility? I love it. :)
ah . . . you’ve got that right.
Thanks for the ping. :)
Is that one from the most recent series that also included “Mansfield Park”? I saw a bit of a couple of those and they WERE well done.
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