Lolo's right arm reaches in 3D Imax to the end of the arm of the settee, while his normal left arm relaxes to his side, his right hand far shy of his knee.Lolo's belt is eight inches smaller than his waist forcing his belly to bulge somewhat, his right pants pocket to push toward the Chinese mainland.
The bizarre confluence of elements in Lolo's lap might be clippings from the darkroom floor.
Oh of course his fat right forearm and floating right elbow have only to do with foreshortening of the focal length, depth of field, artifacts of flash, and so on, and so forth and scooby dooby doo.
The baby slipped on a baby glove on her left forearm as a prescient homage to Michael Jackson.
Maybe the settee sloped to the right, its arm to our right doesn't actually present as darker and more sinuous.
If the tile base is level the settee is skewed.
Or the image is a composite.
There is one reason and one reason only, why so many (almost all!) photos of Zero are composites and shop jobs.
His entire life as presented is false.
There is no other explanation.