But there's a reason most of these instruments passed out of use . . . .
. . . they don't work very well. Most of them are difficult to play and take real dedication.
Some of them are interesting and make pretty noises. Some of them just sound . . . odd.
Here are some sackbuts in action - with a 'muffled drum' - if you ever wondered what that is.
Purcell's March - Funeral Sentences
(these are the ancestor of the trombone).
(the reconstruction of the Scarlatti G Major Sonata (NOT D minor - it's L. 388 and one I play myself) is played WAY too fast - some of Scarlatti's sonatas have the direction 'prestissimo' ('fastest') or even 'as fast as possible', but this isn't one of them). And the epigonion, whatever it is, sounds like a large harpsichord with bad dampers, more or less.
I've heard that classical music played with period instruments can be pretty bad. Maybe that's why people like Stradivarius were so valued. Maybe music of that period began sounding much better.
A fascinating instrument was E.Power Biggs' "Pedal Harpsichord" that was made for him by John Challis.
Logical and interesting.
I'm a little late to the party, but oh well....
I like classical music. Don't know much about it, but I enjoy it. I once bought a tape of the Brandenburg Concerto played on original instruments and found the mechanical sounds (clicking, clacking etc) to be disturbing.
Is there anything you don’t do?
Unlike my air guitar?