Unmasking Sanxingdui Ruins

Xinhuanet/China News ^ | 5-7-2004 | China View

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Unmasking Sanxingdui Ruins

www.chinaview.cn 2004-05-07 00:15:40

CHENGDU, May 6 (Xinhuanet) -- In an out-of-the-way area of southwest China not on the beaten path of most foreign tourists visiting the picturesque home of the giant panda, giant Buddha and Tibetan people lies a little-known site that holds its own unique mystique.

Some 100 years ago, Sanxingdui in today's Sichuan Province hadn't seemed to anyone anything more than a typical rural area, and just 20 years ago its significance was not fully known. But when a farmer hollowing out a just-dug ditch in 1929 found some jade he unwittingly opened the door on an unknown culture between 3,000 to 5,000 years old.

Perhaps it's not so startling in itself that an accidental strike of the hoe would unearth ruins as new archeological sites from China's rich history are being discovered almost every day.

But what no one could have expected was that this particular discovery would rewrite Chinese history by unearthing a culture contemporary with the first civilizations of China but that had left no clues in historical records, that seemingly disappeared without a trace and which left artifacts never before discovered elsewhere in China.

The discovery of the jade, which the family thought to keep secret at first, later brought archeologists, though one of them have predicted in the 1930s that this might be the capital of the ancient Shu kingdom, they still might have been startled by another accidental discovery by workers at a brick factory in 1986.

Two sacrificial pits were filled with gold masks, bronze wares,jade tablets, elephant tusks and sacred trees - and they opened a world of mystery. The discovery pushed back the date of the bronze age in China and yet the objects made are unlike any made in any other period of Chinese civilization with the creation of human-like figures and faces particularly unique.

They left experts asking what the purpose of the objects was, where the culture came from, why there was no mention of it in historical texts and how such an ancient culture, at the origin of Chinese civilization, could be so advanced.

Theories abound, but whatever the answer, the unique part-human,part-animal masks have become the symbol of Sanxingdui and of the mysterious culture. So recently the local government invited some foreign journalists to participate in the opening of the Sanxingdui International Mask Festival at the start of the May Day holiday.

The area whose name means "three-star mounds" in English is not a place foreigners who aren't archeologists would know to visit and little is left for the common person to see of the actual ruins but some ancient objects and many reproductions showing off this advanced culture are on display in the local museum.

The more we learned about the mystery behind what was dug up, the more intriguing and important this site seemed. Many objects at first seem somewhat commonplace for old cultures until you realize that the people making these objects were those living at the beginning of Chinese civilization.

It is believed that Sanxingdui was capital of the ancient "Shu culture" of the Sichuan area, previously believed to be 3,000 years old. A metropolis of its time, covering about three square kilometers, Sanxingdui had highly developed agriculture, including winemaking ability, ceramic technology and sacrificial tools and mining was commonplace.

This discovery enables an overall picture of early society, which had diverse origins in China, and perhaps somewhat a rethink of just how "primitive" a primitive culture was.

But it is perhaps the mystery that is the biggest draw of this culture, at least for many foreigners. Still today little is known about it. There is no clue where the culture came from and no clue where it went. Nothing is known about these masks and statues but there is much educated guessing.

It is easy to guess that these items were used as religious objects. How they were used exactly is anyone's guess but a museum guide pointed out that it was common for ancient cultures to use religion as a form of power - to use fear to control the people.The masks may have been made in such a strange form so as to both inspire awe and encourage people to feel protected from evil.

But still, as these types of objects were not found in other cultures of the same era, Sanxingdui seems to stand out as a theocracy-tinted power where statues ruled the mortal and spiritual world. Museum signs noted that sorcerers and politicians would pretend to be gods and rule in this way, perhaps using the masks and statues in some way to accomplish the deception.

The "mystery of the masks" and the strange figures produced by this civilization has even spread as far as UFO and paranormal websites who picked up on a People's Daily article mentioning speculation that aliens might be the answer and quoting locals in the area as having said they spotted UFOs in the area some 20 years ago.

The facial features and big nose of the masks with animal ears could even leave one wondering whether foreigners were involved. And there are those who still wonder about the authenticity of the findings.

Whatever the truth, the Sanxingdui ruins provide plenty of room for discovery by archeologists and for imagination by we average people. And in that knowledge that there is still much we don't have the answers to about history and our ancestors, perhaps lies part of the charm.

It's not too late to visit the Sanxingdui International Mask Festival and these ancient ruins, fast becoming one of the top-promoted tourist sites in China. The festival is being held near Guanghan, only some 40 kilometers from Chengdu, capital of Sichuan Province, already a popular destination for those wishing to see the giant panda or Sichuan's beautiful spots. According to local officials, the festival lasts for 300 days from May 1. Enditem

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More about The Finds at Sanxingdui

Pit 2 at Sanxingdui held more than sixty tusks. The layer below was filled with bronze heads and masks.

-------------------------------------------------------------------------------- The two pits excavated at Sanxingdui in Sichuan province are among the most fascinating of recent finds in Chinese archaeology. They were discovered by workers at a local brick factory in the summer of 1986, just outside a walled settlement that had already been excavated. The two pits were filled with bronze objects, jades, and elephant tusks that had been buried (probably as offerings). The objects in Pit 1 had been burned before burial. The finds in Pit 2 (right) were in three distinct layers: on top were some sixty elephant tusks, next came large bronze objects (including Bronze standing figure and Bronze human head with gold leaf), and below were jade and stone implements, animal masks, and some smaller bronzes.

While the site, which is roughly contemporary with the tomb of Fu Hao (late Shang), needs further study, the objects clearly indicate the presence of a strong regional culture with sophisticated religious practices and advanced bronze-casting technology (see see More About Excavations at the Tomb of Fu Hao, Ivory goblet inlaid with turquoise, and Bronze owl-shaped vessel). In contrast to Shang burials, these offering pits show no evidence of human sacrifice, but they do reveal a marked interest in the human form, especially the face.

The Sanxingdui finds are exciting, but they remain enigmatic. No texts have been found, nor is there any mention of this culture in the records of other states, either during or after the late Shang period. Analysis of lead and other elements in the bronzes indicates sources similar to those of other cultures along the Lower Yangzi river basin. Some Chinese archaeologists and historians have attempted to link this culture with the later Shu culture, which was also centered in Sichuan. At this point, however, the unique culture that produced these artifacts remains a mystery

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Bronze human head with gold leaf

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Bronze Standing Figure

[curmudgeonII]

Bronze human head with gold leaf

Looks like what I see when I first look at a mirror in the morning.

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Bronze Owl Shaped Figure

[swarthyguy]

Evocative of Sumerian/Mayan/Indian type sculptures.

[Little Pig]

The pre-polynesian influence in this one is apparent, though it retains some continental asian too. Since the polynesians are (AFAIK) generally thought to be migrants from south Asia. The time frame would be about right, too, since most put the polynesian migration several thousand years BC. This might be something those who stayed behind made.


Alternative theory: There was a diaspora from coastal southeast asia by a proto-culture (who knows why). Some went out to sea, others went north. The seafarers, not encountering any rival cultures, managed to survive long enough to establish. Those who went north ran into what would eventually be the Chinese, and were absorbed or foundered.


JMHO, YMMV

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Bronze mask

[blam]

"Evocative of Sumerian/Mayan/Indian type sculptures."

Graham Hancock Agrees with you. Check out the below link.

Mysterious Strangers(New Findings About The First Americans)

[muawiyah]

The Sumerians might well be contemporaries, but the Mayans come along several thousand years later.

Iranian archaeologists recently reported finding an old settlement with writing that dates back older than anything the Sumerians did.

This dig in China is old but there's no writing.

[swarthyguy]

Thanks. Haven't been checking his site lately.

[swarthyguy]

OK if not Mayan, then perhaps the mysterious Olmecs. Just a general impression.

And if the Pakistanis ever allowed the Indus River ruins to be properly investigated, who knows what we'd find there as well.

[blam]

I agree with both your ideas...and, it probably happened around 6,000-8,000BC when Sundaland completely went underwater. Some even believe the Sumerians were refugees from Sundaland.

Dr Robert Schoch (Geologist/Geophysist) has a book titled Voyages Of The Pyramid Builders and in it he proposes that the refugees from Sundaland 'scattered' all around the world taking their pyramid building culture with them.

Also, Stephen Oppenheimer, in his book, Eden In The East, essentially comes to the same conclusion about the dispersal.

[ThanhPhero]

I went to http://www.china.org.cn/e-sanxingdui/pic/page1.html and looked at the pictures, many of them. Some of the masks look at least superficially Mayan
and one head looked like a Mycenaeian dude with Chinese eyes.

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Lost Civilization From 7,500BC Discovered Off Indian Coast

See post #18 in the above linked article. This may be writing.(?)

[pabianice]

Look Gao'uld to me.

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The Olmec And The Shang (A link Between Chinese And American Cultures?)

[swarthyguy]

IIRC, GOrdon Collins, an astronaut wrote a great book about his work with the Olmecs after Apollo. Hope I have the name right, but it's well worth reading.

He does expound on ancient peoples and was instrumental in furthering modern Olmec research.

[Fedora]

Thanks! Very interesting. My first guess is this culture may have been linked via Mohenjo-Daro/Harappa to the Near East. Something about the spiral on the owl figure looks familiar but I can't put my finger on it--will save the pic and keep an eye out for what it's reminding me of.