If that film employs the most innovative techniques in film editing and cinematography will you be ready to embrace that work regardless of whatever tinfoil theories about Israel and prior-knowledge Mr. Moore is spinning?
If Elmer Berstein had scored the movie version of Jackass, would it suddenly have become a film for the ages? Or would people just be asking "Why, Elmer, why?"
P.S. Not much of a chance for Moore to do anything noteworthy. You should have come up with a more believable example.