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Shroud of Turin tests miff scientists, religious scholars
AP Online ^ | 8-21-02 | ROXANA M. POPESCU

Posted on 08/21/2002 7:41:41 PM PDT by mjp

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To: SMEDLEYBUTLER
You don't lose well. You just ran out of chads.
101 posted on 08/27/2002 4:54:56 PM PDT by ALS
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To: ALS
I've exposed you as an ignorant liar and now you top that off with being delusional. Denial isn't a river in Egypt, pinhead.
102 posted on 08/27/2002 6:01:02 PM PDT by SMEDLEYBUTLER
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To: SMEDLEYBUTLER
You've exposed only your breasts and your incessant Gore-ish desire to win at every loss.

shoo fly

103 posted on 08/27/2002 6:30:23 PM PDT by ALS
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To: ALS
I have yet to lose this debate. I have refuted you, experts have refuted you and Scripture has refuted you. Once again you've been shown yourself to be a liar and a phoney and those aren't character traits to be proud of. You remind me of a lot of drug addicts who keep telling themselves while looking in the mirror that everyone else has the problem and then proceed to go and get loaded.
104 posted on 08/27/2002 10:05:48 PM PDT by SMEDLEYBUTLER
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To: SMEDLEYBUTLER
Next you'll be rebuking me. You really need to get a grip. Reading my posts would be a good start in that direction.

shoo fly

105 posted on 08/28/2002 4:01:53 AM PDT by ALS
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To: ALS
I'll bet your a product of public education. You're a liar, a phoney and you're stupid to boot. Mommy and daddy must be awfully proud of having raised such a moron.
106 posted on 08/28/2002 8:31:20 AM PDT by SMEDLEYBUTLER
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To: SMEDLEYBUTLER
kids
107 posted on 08/28/2002 12:44:13 PM PDT by ALS
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To: RightWhale
The image is of Leonardo da Vinci. He dabbled in photography and created the shroud using a camera of his own design. Whether he intended to deceive us in the 21st century is unlikely.

Well, if he did do it, he was a very sneaky fellow indeed -- seeing as even the skeptics say the shroud existed 400 years prior to da Vinci's birth.

OTOH, there was old Star Trek episode featuring a guy who was immortal. IIRC, da Vinci was one of his "identities." Of course, one wouldn't accept this as proof of your claim....

108 posted on 08/28/2002 12:52:20 PM PDT by r9etb
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To: r9etb
If you liked post 29, you might really like post 49. Or not . . .
109 posted on 08/28/2002 12:55:12 PM PDT by RightWhale
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To: RightWhale
" The shroud could be as old as they say, but the images aren't. They are two separate images. The body probably isn't Leonardo, but the head is separate and is Leonardo. He got great mileage out of his camera obscura, used it all the time."

Since the Shroud of Turin was first publicly displayed in Lirey, France, in 1355, 97 years before Leonardo Da Vinci was born in 1452, must we then also conclude that Leonardo invented time travel??

110 posted on 08/28/2002 9:41:40 PM PDT by Swordmaker
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To: Young Werther
"A relic in a monestary in Spain is supposed to be the veil of Veronica, the woman who wiped Jesus' face as he marched to Golgotha. The veil maintined the print of his face. Photographic/computer analysis confirms the thorn puncture wounds on his face are in the same place on both cloths. The scientist that did this analysis stated that he felt that these divine icons formed the basis for all artistic representation of Jesus and not vice versa."

No, the Sudarium of Oviedo, which has blood stains but no image, is considered to have been the small cloth, separate from the shroud, that covered the head of Jesus in the tomb, as reported in the Gospels.

Most promiment theory currently is that the Veronica and the Image of Odessa were probably the same cloth under different names and both were the shroud folded in four so that only the image of the face appeared in a lattice work frame. Note that the very name "Veronica" translates as "True Image", most likely placing the story of woman named Veronica who offered her veil to wipe Jesus' bloody and sweaty face on the Via Delarosa in the pious fiction category.

111 posted on 08/28/2002 9:52:25 PM PDT by Swordmaker
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To: ALS
"Sorry to burst your bubble but the custom in those days was to wrap in STRIPS of linen, not a sheet.

Not true.

This fallacy comes from the wrappings of Egyptian mummies and does not transfer to burial practices in the Levant.

You can make no conclusions about the Biblical text based on the English translation of first century writings.

112 posted on 08/28/2002 9:57:32 PM PDT by Swordmaker
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To: Swordmaker
Did the shroud contain the images in 1355 in France?
113 posted on 08/28/2002 10:00:24 PM PDT by RightWhale
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To: Don Joe
Are you certain it is by "...gradual exposure to atmospheric silver"???

I know... typo.

The authors' of that site are not only photograhic illiterates they are also devoid in logic... they propose Leonardo Da Vinci as the photographer... but the shroud had been publically displayed 97 years before he was born. Now that is a true miracle I would like explained!

114 posted on 08/28/2002 10:06:39 PM PDT by Swordmaker
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To: HiTech RedNeck
I would expect there would have had to be a fair amount of bacterial crud on the Shroud to bias a carbon dating by 1000+ years out of 2000. And exactly what are these germies living on, anyhow? Carbon dating depends on photosynthetic processes (plant takes in carbon dioxide from the air, turns it into carbon compounds and liberates oxygen). If they are parasites subsisting on the cloth, that is where they are getting their carbon.

The research done on Carbon-14 dating since the dating of the Shroud has been eye-opening. It seems that LINEN cannot be reliably carbon-dated! They have discovered that mummies wrapped in linen date much older than the linen that wraps them... sometimes by thousands of years. The bio-plastic residue of bacteria and bacteria excrement is theorized to be the cause.

115 posted on 08/28/2002 10:11:53 PM PDT by Swordmaker
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To: RightWhale
For the discussion, Shroud History

The earliest confirmed date is April, 1349.

116 posted on 08/28/2002 10:15:31 PM PDT by Alamo-Girl
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To: Oztrich Boy
One flaw in your theory.
If the bacteria are getting their sustenance from the material of the shroud, then their C-14 levels will be the same as the shroud, even if they grew and died last week.

No, the theory behind Carbon-14 is that animals and plants take in ATMOSPHERIC carbon in the form of Carbon Dioxide... and when they stop taking in the CO2, i.e., they die, the ratio of C-14 to other carbon isotopes is fixed. The other isotopes have much longer half lives than C-14. By measuring the amount of C-14 left in a known sample size, the age can be calculated by examining the current ratio.

117 posted on 08/28/2002 10:18:16 PM PDT by Swordmaker
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To: jackd
Their conclusion was that the shroud was a clever imaging that was common in the 13th cwntury.

Right. Exactly what was that "clever imaging [process] that was common in the 13th century" that embedded 3D topographic information into a pigment-free negative image 600 years before the development of photography and 700 years before the invention of terrain analyzers?

118 posted on 08/28/2002 10:25:43 PM PDT by Aquinasfan
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To: HiTech RedNeck
I would have expected at the least the patches would have been unwoven from the cloth, not just snipped (or razor bladed, which is probably what was done).

The primary patches being referred to were "stitched" in place by the Nuns of Poor Clare in 1353, not woven... but apparently some other areas were "invisibly" mended by a reweaving technique.

Photographic examination of the now destroyed Carbon-14 sample show that there is a distinct change in appearance across the sample with one side having an OPPOSITE THREAD TWIST than the other. The three labs reported three different ranges of age for the piece of that sample... and strangely, the differences were in exact proportion to the percentage they got of the differing twist material!

119 posted on 08/28/2002 10:26:05 PM PDT by Swordmaker
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To: ALS
Walter C. McCrone, head of a Chicago research institute and a specialist in authenticating art objects, joined 30 other specialists in the 1970s to analyze samples of the shroud. He found that fibers from the part of the cloth that supposedly represented the figure of Christ were imbued with a pale, gelatin-based medium speckled with particles of red ochre.

He also found that fibers from the “wounds” were stained not with blood but with particles of a synthetic vermilion developed in the Middle Ages. He said the practice of painting linen with gelatin-based temperas began in the late thirteenth century and was common in the fourteenth. He concluded that a fourteenth century artist had forged the shroud.

Walter McCrone (deceased) was an OPTICAL MICROSCOPIST. His "testing" consisted of observation through a microscope. He consistently refused to submit his Shroud of Turin conclusion to peer review. Why? Because they could not stand up under scrutiny.

The shroud fibers have been examined by much more sophisticated scientific instruments than McCrone's optical microscope... and NONE, including ELECTRON MICROSCOPES, sophisticated spectragraphs, and many micro-chemical analysis have shown ANY pigment in sufficient levels to be visible. In addition, no vermilion or tempera, was ever found by any other researcher other than McCrone. These studies WERE peer reviewed, unlike McCrone's work.

The blood stains ARE blood... and it is human blood, Type AB Negative, as reported by HEMATOLOGIST Dr. John H. Heller.

120 posted on 08/28/2002 10:46:31 PM PDT by Swordmaker
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