For all those beaten, for the broken heads,
The fosterless, the simple, the opressed,
The ghosts in the burning city of our time
For those taken in rapid cars to the house and beaten
By the skillful boys, the boys with the rubber fists,
- Held down and beaten, the table cutting their loins,
Or kicked in the groin and left, with the muscles jerking
Like a headless hen's on the floor of the slaughter-house
While they brought the next man in with his white eyes staring
For those who still "Red Front!" or "God Save the Crown!"
And for those who were not courageous
But were beaten nevertheless.
For those who spit out the bloody stumps of their teeth
Quietly in the hall,
Sleep well on stone or iron, watch for the time
And kill the guard in the privy before they die,
Those with the deep-socketed eyes and the lamp burning.
For those who carry the scars, who walk lame- for those
Whose nameless graves are made in the prison-yard
And the earth smoothed back before morning and the lime scattered.
For those slain at once.
For those living through months and years
Enduring, watching, hoping, going each day
To the work or the queue for meat, or the secret club,
Living meanwhile, begetting children, smuggling guns,
And found and killed at the end like rats in a drain.
For those escaping
Incredibly into exile and wandering there.
For those who live in the small rooms of foreign cities
And who yet think of the country, and the long green grass,
The childhood voices, the language, the way the wind smelt then,
The shape of rooms, the coffee drunk at the table,
The talk with friends, the loved city, the waiter's face,
The gravestones, with the name, where they will not lie
Nor in any of that earth.
Their children are strangers.
For those who planned and were leaders and were beaten
And for those, humble and stupid, who had no plan
But were denounced, but were angry, but told a joke,
But could not explain, but were sent away to the camp,
But had their bodies shipped back in the sealed coffins,
"Died of pneumonia." "Died trying to escape."
For those growers of wheat that were shot by their own wheat-stacks,
For those growers of bread who were sent to the ice-locked wastes,
And their flesh remembers their fields.
For those denounced by their smug , horrible children
For a peppermint-star and the praise of the Perfect State,
For all those strangled, gelded, or merely starved
To make perfect states; for the priest hanged in his cassock,
The Jew with his chest crushed in and his eyes dying,
The revolutionist lynched by the private guards,
To make perfect states, in the names of the perfect states.
For those betrayed by the neighbours they shook hands with
And for the traitors, sitting in the hard chair
With the loose sweat crawling their hair and their fingers restless
As they tell the street and the house and the man's name.
And for those sitting at the table in the house
With the lamp lit and the plates and the smell of food,
Talking so quietly; when they hear the cars
And the knock at the door, and they look at each other quickly
And the woman goes to the door with a stiff face,
Smoothing her dress.
"We are all good citizens here. We believe in the Perfect State."
And that was the last Time Tony or Karl or Shorty came to the house
And the family was liquidated later.
It was the last time.
We heard the shots in the night
But nobody knew the next day what the trouble was
And a man must go to his work.
So I didn't see him
For three days, then, and me near out of my mind
And all the patrols on the streets with their dirty guns.
And when he came back, he looked drunk, and the blood was on him.
For the women who mourn their dead in the secret night,
For the children taught to keep quiet, the old children,
The children spat-on at school.
For the wrecked labratory,
The gutted house, the dunged picture, the pissed-in well,
The naked corpse of Knowledge flung in the square
And no man lifting a hand and no man speaking.
For the cold of the pistol-butt and the bullet's heat,
For the ropes that choke, the manacles that bind,
The huge voice, metal, that lies from a thousand tubes
And the stuttering machine-gun that answers all.
For the man crucified on the crossed machine guns
Without name, without resurrection, without stars,
His dark head heavy with death and his flesh long sour
With the smell of his many prisons - John Smith, John Doe,
John Nobody - oh, crack your mind for his name!
Faceless as water, naked as the dust,
Dishonored as the earth the gas-shells poison
And barbarous with portent.
This is he.
This is the man they ate at the green table.
Putting their gloves on ere they touched the meat.
This is the fruit of war, the fruit of peace,
This ripeness of invention, the new lamb,
The answer to the wisdom of the wise.
And still he hangs, and still he will not die,
And still, on the steel city of our years
The light falls and the terrible blood streams down.
We thought we were done with these things but we were wrong.
We thought, because we had power, we had wisdom.
We thought the long train would run to the end of Time.
We thought the light would increase.
Now the lng train stands derailed and the bandits loot it.
Now the boar and the asp have power in our time.
Now the night rolls ack on the west and the night is solid.
Our fathers and ourselves sowed dragon's teeth.
Our children know and suffer the armed men.
Another one by Jeffers. This is my favorite by him:
The Purse Seine
Our sardine fishermen work at night in the dark of the moon;
daylight or moonlight
They could not tell where to spread the net, unable to see the
phosphorescence of the shoals of fish.
They work northward from Monterey, coasting Santa Cruz; off
New Year’s Point or off Pigeon Point
The look-out man will see some lakes of milk-color light on the
sea’s night-purple; he points and the helmsman
Turns the dark prow, the motorboat circles the gleaming shoal
and drifts out her seine-net. They close the circle
And purse the bottom of the net, then with great labor haul it in.
I cannot tell you
How beautiful the scene is, and a little terrible, then, when the
crowded fish
Know they are caught, and wildly beat from one wall to the
other of their closing destiny the phosphorescent
Water to a pool of flame, each beautiful slender body sheeted
with flame, like a live rocket
A comet’s tail wake of clear yellow flame; while outside the
narrowing
Floats and cordage of the net great sea-lions come up to watch,
sighing in the dark; the vast walls of night
Stand erect to the stars.
Lately I was looking from a night mountain-top
On a wide city, the colored splendor, galaxies of light: how could
I help but recall the seine-net
Gathering the luminous fish? I cannot tell you how beautiful
the city appeared, and a little terrible.
I thought, We have geared the machines and locked all together
into interdependence; we have built the great cities; now
There is no escape. We have gathered vast populations incapable
of free survival, insulated
From the strong earth, each person in himself helpless, on all
dependent. The circle is closed, and the net
Is being hauled in. They hardly feel the cords drawing, yet they
shine already. The inevitable mass-disasters
Will not come in our time nor in our children’s, but we and our
children
Must watch the net draw narrower, government take all powers
-or revolution, and the new government
Take more than all, add to kept bodies kept souls- or anarchy,
the mass-disasters.
These things are Progress;
Do you marvel our verse is troubled or frowning, while it keeps
its reason? Or it lets go, lets the mood flow
In the manner of the recent young men into mere hysteria, splin-
tered gleams, crackled laughter. But they are quite wrong.
There is no reason for amazement: surely one always knew that
cultures decay, and life’s end is death.