Pilate is a wonderful baritone role, and here hes clothed in a mixture of Roman and Nazi regalia. Annas gets a line given to an anonymous Roman soldier in the original production. The music is from the chorus Hosanna, and when the chorus finally breaks into this tune, the irony is so thick you can cut it with a knife. Those who cheered now jeer; its the anthem of a fickle mob.
Aria
Andy and Tim took a lot of heat for this number because its not only ragtime, its comic relief. There was the accusation of bad taste, and its rather jarring after what came before. But its one of the catchiest numbers in the opera. Herod Antipas comes across as well gay. This video should have been edited as a segue.
Truthfully, I am not really happy with this modern production.
I remember the old recording, maybe i am just stuck on the old voices.
Oh Well.