Free Republic
Browse · Search
News/Activism
Topics · Post Article

To: weegee

If you read the book you'll find out that Bradley's best friend was captured by the Japanese. Knowing they were going to lose they cut off his balls, stuffed them in his mouth, and left him to bleed to death to be later found by Bradley. Is that the perspective of which you were thinking? I hope they put that part in the movie.


14 posted on 10/19/2006 8:45:34 AM PDT by Locomotive Breath (In the shuffling madness)
[ Post Reply | Private Reply | To 6 | View Replies ]


To: Locomotive Breath
Supposedly from the Japanese soldier perspective.

In war -- Eastwood offers us a timely reminder -- who is just and unjust depends on where you're watching from. And to further the point, his next movie, Letters From Iwo Jima, tells the story from the perspective of the Japanese.

I got it from this review (Flags of Our Fathers-Print the Legend-Eastwood strips away myths surrounding Greatest Generation). I'm skeptical of this project and think a lot of the pitch about it is a lie.

I am not old enough to have seen this photo's effect on the war, morale, and everything else firsthand. But I have seen the original contact print of the image (made on the ship, before Joe Rosenthal had even seen it, someone else developed the roll, had the image passed by the censor, and mailed it home) About 2" square. I've also seen a print Joe Rosenthal made large enough to fill a wall.

It is a powerful image. But it does not say "mission accomplished, the war is over". It does not say "these 6 guys were the only ones who fought the battle". It does not say "this image isn't real because this is not the first flag". These are the criticisms from the left and in the ad campaign.

It shows American troops pulling together. It shows our flag, our standard, rising. It is a sign of victory. Victory that comes with a price, a toll taken on our soldiers (those who died AND those who survived). It was not a staged image (Joe erred when he said "yes" in an early interview, he was referring to a separate image of the men posing in front of the flag).

I could handle a film about Iwo Jima, I don't like the PR that this photo was false, that the men were exploited, and that pro-America propaganda is bad.

We are told that the photo doesn't tell the real story. Compare the photos leaked from Abu Ghraib with the photo of the men who as political prisoners under Saddam had their hands amputated at Abu Ghraib but under American liberation, had prosthetics attached, and they shook hands with President Bush. Torture means something. Something the "blame America first" media tries to distort.

If the Japanese were justified, then WWII was a lie. I do not accept that premise. History is written by the victors and there are countless documented attrocites committed by the Japanese (medical experiments that rivaled the Nazis, enslaved Korean comfort women who were repeatedly raped, tortured POW...).

56 posted on 10/19/2006 10:03:58 AM PDT by weegee (Remember "Remember the Maine"? Well in the current war "Remember the Baby Milk Factory")
[ Post Reply | Private Reply | To 14 | View Replies ]

To: Locomotive Breath
I found this in a review at IMDB. They wimped out.

Stephen Spielberg and Clint Eastwood obviously had to tap dance around an "Elephant in the Room" when it came to showing what happened to John Bradley's friend on Iwo Jima. If you've read the book, you know what happened. The movie does a masterful job of bringing the subject up, but not bringing it up in a manner that would offend the squeamish, or, for that matter, bringing it up in a way that would make it impossible to show the movie to a Japanese audience.
91 posted on 10/19/2006 11:24:25 AM PDT by Locomotive Breath (In the shuffling madness)
[ Post Reply | Private Reply | To 14 | View Replies ]

Free Republic
Browse · Search
News/Activism
Topics · Post Article


FreeRepublic, LLC, PO BOX 9771, FRESNO, CA 93794
FreeRepublic.com is powered by software copyright 2000-2008 John Robinson