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DFU SONG: Major Tom (Captain Michael Pierce, your men will really give it to you now)
DFU SONG PARODIES | 3-2005 | Lyrics, Doug from Upland

Posted on 03/12/2005 10:38:13 AM PST by doug from upland

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To: uncleshag

I was indeed a good job. Followed the MIDI like a professional!


21 posted on 03/12/2005 8:07:43 PM PST by Enterprise (President George W. Bush - the leading insurgent detergent.)
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To: doug from upland
You are right! . I didn't listen to the MIDI. I assumed it was Bowie you were referring to.

Now I remember that the Bowie song is really Space Odyssey.

Ooops- my bad.It is all becoming clear to me. Well I hope you like the Bowie tune tonight! You have to give me credit for knowing the real name of "Teenage Wasteland". :] OK then- Freep on!

22 posted on 03/12/2005 8:09:36 PM PST by Diva Betsy Ross (YEAH DARKWING104!!)
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To: Diva Betsy Ross
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Peter Schilling


A little something about Peter Schilling
Originally released in 1969 to coincide with the first moon landing, David Bowie's "Space Oddity" was hardly a celebration of man's efforts to reach the stars. The song tells the story of Major Tom, an astronaut who has "really made the grade," and the eyes of the world are on him as he is about to be blasted into space. But Major Tom's solo trip ends in tragedy, as he mysteriously informs ground control that "I'm feeling very still, and I think my spaceship knows which way to go. Tell my wife I love her very much..." There are a number of takes on this early Bowie classic. One is that this is a song about self-destruction, a theme Bowie would return to in "Rock and Roll Suicide" and on his "Station to Station" album. Clearly Major Tom's demise seems to have been less an accident than a conscious decision to detach himself from the planet below. His circuit abruptly goes dead after his cryptic message to his wife, though there is little doubt that he is still conscious and in some degree of control. Bowie himself may have shed light on the meaning of the song in 1980 with his follow-up, "Ashes to Ashes." It seems that some time after the disappearance of Major Tom ground control receives a message from the wayward astronaut: "I'm happy, hope you're happy too... I've loved all I've needed to love..." The opinion on earth seems to be that Major Tom is a "junkie, strung out in heaven's high," but hittting "an all-time low." The song is telling in the wake of Bowie's own battle with drugs, a struggle which saw him losing in the mid '70s as his body - like that of Iggy Pop, Mick Jagger, and other contemporaries - was showing clear signs of abuse. In the light of this later song, it would seem that Major Tom is a man who has made the painful transtition from a feel-no-pain drug-cowboy to a strung-out junkie desperate to come back down to earth. Peter Schilling's 1983 hit "Major Tom (I'm Coming Home)" is an excellent early '80s revision of the original "Space Oddity," complete with a techno beat and the obligatory synth work. It is logical that such a work should come from a German artist, as much of Bowie's drying-out period was spent in Berlin. Just as Bowie became an important influence on German musicians, Bowie's work in the late '70s was heavily influenced by his experiences in Germany, from his "Heroes" album disparagingly championing lovers devided by the Berlin Wall, to his soundtrack for a German film about young Berlin heorine addict "Christiane F."
 

Major Tom - Coming Home

Standing there alone
The ship is waiting
All systems are go
Are you sure?
Control is not convinced
But the computer
Has the evidence
"No need to abort"
The countdown starts

Watching in a trance
The crew is certain
Nothing left to chance
All is working
Trying to relax
Up in the capsule
"Send me up a drink"
Jokes Major Tom
The count goes on

CHORUS:
4...3...2...1...
Earth below us
Drifting falling
Floating weightless
Calling calling home...

Second stage is cut
We're now in orbit
Stabilizers up
Running perfect
Starting to collect
Requested data
What will it affect
When all is done
Thinks Major Tom

Back at ground control
There is a problem
Go to rockets full
Not responding
"Hello Major Tom
Are you receiving
Turn the thrusters on
We're standing by"
There's no reply

CHORUS

Across the stratosphere
A final message
"Give my wife my love"
Then nothing more

Far beneath the ship
The world is mourning
They don't realize
He's alive
No one understands
But Major Tom sees
Now the life commands
This is my home
I'm coming home

Earth below us
Drifting falling
Floating weightless
Coming home...

Earth below us
Drifting falling
Floating weightless
Coming home...

Earth below us
Drifting falling
Floating weightless
Coming coming home...
Home.....










23 posted on 03/12/2005 8:42:58 PM PST by doug from upland (Ray Charles --- a great musician and safer driver than Ted Kennedy)
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To: Diva Betsy Ross

Thanks for posting the original song by Bowie.


24 posted on 03/12/2005 8:44:18 PM PST by doug from upland (Ray Charles --- a great musician and safer driver than Ted Kennedy)
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To: All

While numerous new wave artists in the early '80s tried to imitate David Bowie, Peter Schilling went a step further. In 1983, Schilling released "Major Tom (Coming Home)," a synth pop retelling of Bowie's 1969 classic "Space Oddity." It became Schilling's first and only entry in the U.S. charts, a song that eventually stigmatized him as a one-hit wonder in America. Schilling was born in Stuttgart, Germany, on January 28, 1956. As a teen, Schilling couldn't decide on whether to be a soccer player or a singer. He chose music and his debut album, Error in the System, appeared in 1983. The single "Major Tom (Coming Home)" wasn't just popular in the U.S., it was a worldwide smash. The video was played often on MTV, as well, but Schilling was not able to equal its success. In 1989, Schilling collaborated with Enigma's Michael Crétu on the track "Different Story (World of Lust and Crime)," an admirable attempt at updating his sound and trying to return to the American charts. "Major Tom" was given a techno sheen in 1994, and the reworked song was welcomed in the clubs. A year later, Schilling formed the Space Pilots with Catyana Schilling, J. Feifel, and P. Magnet, recording Trip to Orion. ~ Michael Sutton, All Music Guide
Written by Michael Sutton


25 posted on 03/12/2005 8:51:11 PM PST by doug from upland (Ray Charles --- a great musician and safer driver than Ted Kennedy)
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To: rantblogger
Pinging you to Mike's song.


26 posted on 03/13/2005 8:22:40 AM PST by doug from upland (Ray Charles --- a great musician and safer driver than Ted Kennedy)
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