Reacting to Marlon Brando's comments on "Larry King Live," on Friday, April 5, that Jews run Hollywood and exploit stereotypes of minorities, but never of Jews, Abraham H. Foxman, ADL National Director, issued the following statement: I wonder how Foxman reacted to Jackie Mason, the Jewish comedian, who supports the notion that Jews own Hollywood. A few years ago, Mason reminded us it was Jews who had recently immigrated from eastern Europe at the beginning of the last century who created a film industry in Hollywood. According to Mason, the Jews now own about 60 percent of the movie business, down from the early days. So what says Mason if Jews own most of the film business. What's the big deal.
I think the distinction is when someone says "the Jews" own this or that, as if it is one big monolothic conspiratorial blob assimilating all power unto itself.
To say "Jews" own this or that is not really the same as saying "the Jews" own this or that.
An Empire of Their Own: How the Jews Invented Hollywood
by Authors: Neal Gabler
Released: 08 September, 1989
ISBN: 0385265573
Paperback
Sales Rank: 38,102
List price: $16.95
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Movie Jews Starring in Their Own Life Movie
Neal Gabler explores the lives of the founding movie moguls of Hollywood in this work which is at turns funny and sad. Most of the moguls never had a very good family life either growing up or growing old, but the stories of the business and oddities of Hollywood are amusing.
One of the most interesting of Gablers points is that each head of the studio made a certain style of movie that reflected his personality--whether that would be Mayers idealized America or the Warners stories of tough outsiders, for instance.
Gabler gives interesting insights into the struggle between Edison and the Jewish independents over who would monopolize the distribution and equipment for the business. It is suggested that this was fight between protestants on one side, and Jews and Catholics on the other, given the ethnic make-up of the two camps. Edison eventually lost out over an anti-trust suit and the movie moguls went on to pretty much monopolize the business until they lost an anti-trust suit in 1948.
The reason why Jews have predominated in the movie business from the beginning was that in the early days of film, it was considered a slightly disreputable business to be in and white gentiles had no great desire to enter into a venture considered to be a novelty to make some fast cash. The Jewish businessmen saw the movies as something more than a novelty and sought to make them more high-brow by filming critically acclaimed plays and literary works. This was done also to bring in the middle class into their already working class customer base.
Gabler shows how many of the movie moguls wished to present themselves as totally assimilated Americans who made themselves over to look like the high class gentiles of the Eastern Establishment. But at the same time they saw themselves as Jews and their enemies saw them as Jews too. The years of blacklisting communists is covered in which some gentiles complained about the moguls employing communist Jewish writers for their films. (The moguls themselves were Republican and many of their writers were Jewish communists.)
Hollywood is shown to be place where there is no real friendship and materialism reigns. In their cutthroat business, those on top are celebrated as long as they stay successful and those who have fallen are forgotten. This rule even applies somewhat to the movie moguls of this era. Anyway, one gets the impression its more fun to watch the movies than to be in the business of making them.