'Passion' Reclaims Top Box-Office Spot (Revisionist Alamo costly flop for Disney)

Many Christians made "The Passion of the Christ" a part of their Easter weekend, lifting the crucifixion saga back to the top box-office spot with $17.1 million.

Mel Gibson's bloody retelling of Christ's final hours raised its domestic total since opening on Ash Wednesday to $354.8 million, passing "The Lord of the Rings: The Two Towers" for the No. 8 spot on the all-time domestic charts, just behind "Jurassic Park."

"The Passion" had been No. 1 its first three weekends, then fell back in the pack for the next three before claiming the top spot again.

"That's unprecedented. I've never seen that before. 'The Passion' is just rewriting box-office history," said Paul Dergarabedian, president of box-office tracker Exhibitor Relations. "This is a holy day, and this movie is tailor-made for a weekend like this. It's not just a movie. It's a religious experience for many people."

"The Passion" easily fended off a rush of new movies. Disney's costly historical epic "The Alamo" opened weakly with $9.2 million, tying for No. 3 with Cedric the Entertainer's comedy "Johnson Family Vacation," according to studio estimates Sunday.

Other studios actually were tracking "Johnson Family Vacation" slightly ahead of "The Alamo," which could finish in fourth place when final numbers come out Monday. Making comparisons worse, "Johnson Family Vacation" put up the same numbers while playing in only half as many theaters as "The Alamo."

Disney faces a big loss on "The Alamo," a chronicle of the 1830s last stand whose budget swelled to about $100 million.

Starring Billy Bob Thornton as Davy Crockett and Dennis Quaid as Sam Houston, "The Alamo" had been scheduled for release last December and caught bad headlines after Disney delayed it for four months to give director John Lee Hancock more time in the editing room. Hancock took over as director after Ron Howard backed out.

"The Alamo" drew mixed reviews, with some critics calling it a historical bore and others praising its authenticity and rousing battle sequences.

"We're disappointed, mostly because we think we made a really good film," said Chuck Viane, Disney's head of distribution. "I'm shocked, quite honestly, at the number. If I could only figure out what went wrong, you'd never let it happen again. The movie deserved better than it did."

Finishing ahead of "The Alamo" was the previous weekend's top movie, "Hellboy," which came in at No. 2 with $11.1 million.

Three other new movies finished at the bottom of the top 10. "The Whole Ten Yards," Bruce Willis and Matthew Perry's sequel to their hit-man comedy "The Whole Nine Yards," premiered at No. 8 with $6.7 million, less than half the $13.7 million the first movie did over opening weekend in February 2000.

Anne Hathaway's fairy-tale comedy "Ella Enchanted" opened ninth with $6.1 million. "The Girl Next Door," with Emile Hirsch as a youth who falls for an ex-porn star (Elisha Cuthbert), debuted in 10th place with $6 million.

Despite so-so showings for new movies, the overall box office rose for the seventh-straight weekend. The top 12 movies took in just under $100 million, up 13 percent from the same weekend a year ago.

Newmarket Films, which distributed Gibson's "The Passion," had expected Easter weekend to provide a solid bump for the film. Rob Schwartz, Newmarket head of distribution, said "The Passion" is expected to finish with at least $380 million and could top $400 million.

Estimated ticket sales for Friday through Sunday at North American theaters, according to Exhibitor Relations Co. Inc. Final figures will be released Monday.

1. "The Passion of the Christ," $17.1 million. 2. "Hellboy," $11.1 million. 3 (tie). "The Alamo," $9.2 million. 3 (tie). "Johnson Family Vacation," $9.2 million. 5. "Walking Tall," $8.3 million. 6. "Home on the Range," $8.2 million. 7. "Scooby-Doo 2: Monsters Unleashed," $8 million. 8. "The Whole Ten Yards," $6.7 million. 9. "Ella Enchanted," $6.1 million. 10. "The Girl Next Door," $6 million.

http://www.freedomalliance.org/view_article.php?a_id=357

Hollywood Desecrates American Heroes: New Disney Movie "The Alamo" is Filled with "Fairy Tales"
by Freedom Alliance

April 2, 2004

Dulles, VA – Michael Eisner and Disney are at it again, this time re-writing history in the upcoming release of, “The Alamo,” scheduled to open nationally on April 9.

“The movie reads more like a Disney fairy tale and promotes a politically correct revisionist agenda aimed at destroying a traditional American hero,” says B. Forrest Clayton, Freedom Alliance Visiting Fellow, former history teacher and author of Suppressed History: Obliterating Politically Correct Orthodoxies (www.suppressedhistory.com)

Clayton obtained a screenplay of the film and found it to be “full of inaccuracies.” For example, according to this film, Davy Crockett was a “frightened wanderer” who wanted to escape “over the wall” in the dark of night, but felt paralyzed and trapped by his own underserved heroic reputation.

The film also has Davy Crockett captured, bound, and executed on his knees, after the battle was over, even though the historical evidence shows that he was killed fighting, in the thick of combat, during the battle. This primary historical evidence includes the testimony of Sergeant Felix Nunez, a Mexican soldier who stormed the Alamo; Captain Rafael Soldana, another Mexican soldier who attacked the Alamo; Santa Anna’s cook, Ben; Travis’ slave, Joe; an African-American who survived the Alamo battle; and Susannah Dickinson, the only adult Anglo survivor of the Alamo battle and wife of one of the slain Alamo defenders.

The movie makers ignored these witnesses that corroborated Crockett’s heroic death in combat and based his capture and execution in the film on a suspect portion of Jose Enrique De La Pena’s supposed diary/memoir which handwriting expert Charles Hamilton proved was forged by John Laflin, a.k.a. John Lafitte, a prominent American forger of papers on American pirates and frontier heroes.

In addition, this film’s script portrays General Sam Houston, the military victor at the Battle of San Jacinto which allowed Texas to gain its independence from Mexico, as a venereal diseased drunkard; Colonel William Barret Travis, commander of Texan forces at the Alamo, as a dead beat dad and serial adulterer; Colonel James Bowie, the Alamo defender famous for his knife fighting skills, as a land swindling, slave trader; and Davy Crockett, the king of the wild frontier, as a war criminal, who participated in a My Lai style massacre in the Creek Indian War and was captured and executed at the Alamo. By contrast, Manuel Castrillon, a Mexican General who attacked the Alamo, is portrayed as a flawless, noble, and brave hero.

“Heroes, such as Davy Crockett, must be vigorously defended by all patriotic Americans in the culture war. They represent Western culture. To sit back and allow them to be desecrated is an injustice to American students and a recipe for disaster for the future of the country,” concluded Clayton.

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