A hit and run artist is a hit and run artist. Think of Debby Morse as MurryMom with a salary.
This columnist has a graduate degree from Stanford, yet she doesn't want to come on here and play ball with the Big Dogs.
Precisely because she knows that she can't.
She knew that she was getting emails from a few of the real extremists on the board, but she decided to use those as a broad brush with which to paint FR. The fact is, she understands that. Despite what some of you might believe, she is an intelligent woman. She knew exactly what she was doing, and she understood exactly the lie she was peddling. Any assertion otherwise is an out and out falsehood, and she knows it.
But since we know that she is lying about us, the question we must ask is why?
Some people can't handle the truth. That a child might have the right to life from the moment of conception gets in the way of Man's arrogation of that power (of life and death) reserved to the Almighty. Modernists (and post-modernists) have no time for a concept of the Hereafter, so they do not believe that we must be accountable to a Divine Being. This kind of thinking leads to the kinds of squalid regimes that peppered the 20th Century. It really is a short conceptual leap, shorter than most feminists realize, from the abortion mill to Auschwitz. Once the killing begins, it becomes rather easy.
That's what the SS Einsatzkommandos said when they were debriefed after the war, anyway.
Debby Morse wants the right to kill without consequence. You can wrap it up in a "right to privacy" or a "right to control my body" all you want, but in the end, women like Debby want the right to kill without being called on it. That is "all" she is asking for. The Freepers were simply reminding her of a truth that she didn't want to hear.
Her greatest mistake is self-evident, then. For there will be an accounting, only not by an earthly judge.
Be Seeing You,
Chris