Posted on 08/11/2003 7:39:54 AM PDT by dennisw
Mel Gets Hell On His Passion
Eric J. Greenberg
Hollywood hero Mel Gibson may be a straight shooter on the silver screen, but his accusation of theft against a group of interfaith scholars is way off target.
So says the Anti-Defamation League and a group of Catholic scholars, who dismiss as Hollywood fantasy Gibsons charge that the scholars used a stolen script to criticize as dangerously anti-Semitic his forthcoming movie about the final hours of Jesus life.
The ADL last week declared its support for the seven interfaith scholars four Catholic and three Jewish only days after the U.S. Conference of Catholic Bishops washed its hands of the interfaith team and its 18-page report.
The report cites numerous anti-Semitic scenes and violations of Roman Catholic teachings in the The Passion, which Gibson is directing and co-wrote. Gibson said the film, which is to be released next spring, is based on the Four Gospels.
ADL fully stands behind their report calling on Gibson to revise the film.
ADL noted that in the report, made public by The Jewish Week, the scholars unanimously agreed that the screenplay ... was replete with objectionable elements that would promote anti-Semitism.
In a new twist to the controversy, ADL said that contrary to Gibsons claims, his ICON Productions was well aware that the interfaith team had been reviewing the script in late April and early May. At that point, Gibson and ICON indicated their willingness to consider the scholars suggestions, ADL confirmed.
Rabbi Eugene Korn, ADLs director of interfaith affairs, told The Jewish Week that on May 2, Gibson was privately sent the scholars report, which outlines the anti-Semitic scenes and violations of Roman Catholic teachings. But ICON responded by threatening a lawsuit, Rabbi Korn said.
In a letter dated May 9, ICON for the first time hurled the accusation that the scholars had used a stolen early draft of the script.
Meanwhile, the controversy has caused a rift between the Bishops Conference and four of its top interfaith advisers.
The Catholic members of the interfaith team drafted a strong letter to the Rev. Arthur Kennedy, the conferences director of ecumenical affairs, expressing their outrage at USCCB capitulation to Gibsons legal threat. They said the action threatens Catholic teaching and their own credibility. (Their position is posted at www.bc.edu/cjlearning.)
The charge that we stole [the script] is absurd and insulting, said the June 25 letter signed by Mary Boys of Union Theological Seminary, Philip Cunningham of Boston University, the Rev. John Pawlikowski of the Chicago Theological Union and the Rev. Lawrence Frizzell of Seton Hall University.
They disputed as regrettable the Bishops Conference apology to Gibson and as misleading its June 11 press release claiming that the conference did not establish the interfaith team to study the script.
We were in fact assembled by Dr. [Eugene] Fisher [associate director of ecumenical affairs at the Bishops Conference] and Rabbi Korn, the letter stated.
The scholars called on the Bishops Conference to issue a public clarification that they did not steal the script and support their recommendations.
We do not deserve being left high and dry, the scholars said.
The team of scholars has not said how it obtained the script.
Gibsons critics also warned that he is apparently using as sources an 18th century mystical anti-Semitic book by a German nun, Sister Anne Catherine Emmerich, and a tome by Mary of Agreda, a 17th century Spanish aristocrat. This contradicts Gibsons claim that he is using only the Gospels.
Emmerichs book is a diary of the nuns visions, many of which are anti-Semitic, according to Rabbi Marvin Hier, dean of the Simon Wiesenthal Center.
Emmerich told of a vision she had in which she rescued from purgatory an old Jewish woman who confessed to her that Jews strangled Christian children and used their blood in the observance of their rituals, Rabbi Hier said.
Mary of Agreda wrote that all Jews continue to be afflicted because of their involvement in Jesus death.
For filmmakers to do justice to the biblical accounts of the passion, they must complement their artistic vision with sound scholarship, which includes knowledge of how the passion accounts have been used historically to disparage and attack Jews and Judaism, ADL said.
Asked by The Jewish Week if Gibson has or will consult with interfaith experts before the movie is released, ICON producer Steve McEveety said in a statement: As is consistent with the filmmaking process, we have, and will continue to consult the resources necessary to create the most accurate and honest presentation of the story as possible.
A group of weasely, liberals who believe that Jesus wears Nikes.
Wouldn't it be hilarious if they were criticizing a completely different movie than the one released.
Now there's a thought... If the ADL et al really wanted to scuttle this movie, they'd be singing its praises from the rooftops. Because churchgoing Christians generally don't go by the word of biblical "scholars" and theologians. I can't speak for the Catholics, but the Baptists (2nd largest Christian group in the U.S.) don't trust the word of those who play fast and loose with the Bible, aka "Word of God", and would stay home in droves.
If my neighbor "borrows" a saw from my garage to use without asking my permission, I may not make a big deal of it. But if he borrows it in order to cut down my shade trees, I might be inclined to make a criminal case out of it.
Similarly, if the "scholars" had used the script for legitimate study instead of using it to publicly berate Mel Gibson as an anti-Semite, Mr. Gibson might have overlooked their theft.
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