Posted on 09/26/2002 3:50:37 PM PDT by BluesDuke
The New York Mess
Marvelous Marv - Don't Phone Home (You Don't Want To Know...)
by Jeff Kallman
"To be a Met fan," wrote Rick Moody, leading off a 2000 World Series postmortem, "is to be preoccupied with underdogs, and therefore to love and doubt equally." Easy for him to say. But let's see what Moody has to say now, with our Mets deep enough in the tank to be unable to see the bottom of the water level ball without a telescope, and on their 40th anniversary to boot.
The 2002 Mets seem bent on ending the season in fifth place, which translates today to last place. In 1962, fifth place translated to a consummation devoutly to be wished, and a wish symptomatic of acute dementia. The 1962 Mets finished in tenth place, and it was the first time the National League had a tenth place. They finished there with one exception (1966) for the next six times the league had a tenth place. And watching the 1962 Mets finish in tenth was an awful lot less painful than watching the 2002 Mets finish in fifth.
The 2002 Mets, essentially, were a team of familiar enough names, at least one prospective Hall of Famer, and sporadically young comers who turned out unable to execute fundamental baseball if you had sentenced it to death. Well, come to think of it, the 2002 Mets just about did exactly that. They damn near put fundamental baseball out of its misery before they did it to themselves.
The 1962 Mets, essentially, were a team of familiar enough names, at least one prospective Hall of Famer (there remains following enough to see Gil Hodges enter the sacred arterials, and he has a very good case for it), and sporadic young comers who also turned out unable to execute fundamental baseball if you had sentenced it to death.
Except that the 1962 Mets knew better where to draw the line, once in awhile. And the Original Mets were funnier.
About the biggest laugh on the 2002 Mets - beyond the sight of Mo Vaughn trying to run the bases, resembling a cement truck with two flat tires, and you don't need me to tell you what's unfunny about a laugh like that - was that they were bad enough to make you want to go to pot...as seven Mets apparently did. (All things considered, you can't really blame them.)
About the worst the 1962 Mets could do was drive you to drink. And the biggest laugh on the 1962 Mets was whichever one came the day after the biggest laugh on the 1962 Mets.
The 2002 Mets were merely the understudies for the latest Adam Sandler exercise in urinal wit. But can you think of a baseball team managed by Cosmo Kramer and coached by Charlie Chaplin, Ernie Kovacs, Rod Serling, and Andy Kaufman? Can you think of them sending Bud Abbott to the mound and Lou Costello behind the plate, the Four Marx Brothers to cover the infield and the Three Stooges to patrol the outfield, with the Mighty Allen Art Players on the bench and the Kids In The Hall in the bullpen?
The Original Mets could sue that team for grand theft performance art. Just about every day showed evidence for such a suit, but two will do very nicely for now.
17 June 1962: The Chicago Cubs were the designated straight men. This alone made for a contest bearing unlimited prospects for baseball deconstruction, for the Cubs were well enough into their second consecutive decade of futility as a mystic art and their second season under weight of a ludicrous managerial experiment - exterminating the manager's position in favour of a system of revolving head coaches. This so-called College of Coaches earned no accreditation beyond making bedlam's purse from chaos's ear, keeping the Cubs in shape enough to enhance their singular battle for supremacy among the National League's basket cases.
But they never made the sublime into quite the Mets' kind of ridiculous.
The Cubs this day began with the kind of exercise that usually dogged them like a collection agency. They got a very early first inning baserunner, nondescript outfielder Don Landrum, who wasted almost less time losing himself. He took what broadcast legend Vin Scully loves to call a bigger lead than the law allows off first base. The Mets' starting pitcher, a slender, stout little lefthander named Al Jackson, wasted even less time laying down the law, whipping a throw to first and picking Landrum off dead.
The Cub lumbered desperately toward second base, the Mets' first baseman having speared the throw over and chased him a few steps before throwing to second. That throw forced Landrum to the usual desperation retreat and second scampering breakaway, as second and first basemen exchanged throws. Then, the first baseman threw Landrum the sort of block that usually has football scouts going Pavlov and errant baserunners going back to the dugout, claiming title to the nearest available crawling hole.
Don Landrum went nowhere except to second base. On the house. For such brilliant blocks, ordinarily, are predicated on the blocker having what the Mets' first baseman lacked: a baseball in hand when throwing such blocks.
As the saying went, them's the breaks. For the Cubs, them's was usually rare and never to be squandered. For the Original Mets, them's usually meant another violation of their Eighth Amendment rights, often immediately, punctured frequently enough by someone in enemy fatigues hitting a Met pitch into the Harlem River or close enough to shore.
The Cubs spent wisely enough to cash in four runs before their half of the first expired, and the Mets set about the business of bottom-of-the-first revenge. Almost at once, it looked as though they might get it, enough to get back into the game as fast as they fell out, putting two men on base before the Cubs could count that high. And as the Polo Grounds went into a rock-and-roaring LET'S GO METS! LET'S GO METS! up stepped the Mets' first baseman to hit, ready enough to prove himself borne of entertainment far more transcendent than turning a dead meat pickoff into a lifesaving fielder's interference.
The crowd turned up the volume, hoping it might move him to have a blast. Mates on base ready to whip the horses if he got hold of one, in came a particularly swollen pitch and our man swung like a woodsman bringing down a mighty oak, driving it well past two converging Cub outfielders toward the deepest turn of right center field. Batter and baserunners took off as though picking up hellhounds on their trails.
The ball reached the turn of the right center field wall before any Cub got near it. If this was for real, the Mets were about to cut their deficit exactly in half and put a fresh man into scoring position at minimum.
Our man rounded first, rumbled into second, ground toward third at fullest available power, as his two mates crossed the plate and George Altman, the Cubs' right fielder (himself fated to become a 1964 Met, in fact), reached and retrieved the ball at last. Altman's throw came up short enough. The crowd shouted loud as human throats allow and there our man stood, beaming, a mere ninety feet away from coming home with the third Met run.
And, then, perhaps the sunniest creature ever to wear a major league uniform this side of Satchel Paige picked the perfect moment to prove he, too, could spoil a party when warranted. Ernie Banks hollered for a throw over from the pitcher's mound and got it. He clapped his mitt tight shut around the ball and stepped on first nice and easy; the first base umpire punched a hole in the sky with his thumb. The Polo Grounds crowd wanted to punch a hole in the famous above-center-field clubhouse facade with his flying body.
Casey Stengel, the furrowed, triple-talking manager-philosopher of the Original Mets, must have wanted them to take a number. The Ol' Perfesser hobbled up from the dugout and creaked toward first base, bellowing all the way, until Mets first base coach Cookie Lavagetto stopped him cold.
"Forget it, Case," Cookie counseled. "He didn't touch second, either."
Stengel picked up his dropped jaw and pointed toward his equally incredulous hitter at third. "Well," Casey growled, "I know damn well he touched third, because I see him standing on it."
Our strapping first baseman took his freshly nullified triple back to the dugout, his rounded face suggesting himself as the awkward geek kid who just got a jolt when feeling a bump on his leg, looked down, and saw the neighbour's china closet wrapped around it, and how the hell did that thing get there in the first place?
The two Mets he thought he'd driven home went from badly-needed runs to badly-declared nonpersons in mere moments, returning to their former bases wondering, perhaps, if anything could come to within ten city blocks of topping what just went down.
Anything could. And, did. These were the Original Mets.
Up to the plate stepped the next Met batter, second baseman Charley Neal, bent on teaching these Cubs and that renegade Banks that when it came to party pooping they were still in the midget leagues. And with all hands barely realigned, following the previous breach of protocol, that is just what Charley Neal did. He swung on a too-delectable first pitch and bombed it off the upper deck facade over left field for a three-run homer.
Casey Stengel was prepared for that prospect to the last detail.
Neal wasn't five steps running up the first base line when the Perfesser popped up from the dugout, standing athwart hysteria, yelling Stop! The surprised bombardier froze like a man who's just been harpooned with a paralysing nerve drug. Then, Neal saw Stengel pointing to first place and stamping his foot. Only then did Neal dare continue toward first and turn toward second, glancing back to see Stengel pointing to second and stamping his foot again. Manager and hitter repeated the routine until Neal came down the third base line and crossed the plate the old fashioned way. Then Casey nodded and returned to his own normal game position in the dugout.
The Polo Grounds went nuclear. The Mets were back in the game in spite of themselves. They went on to lose, 8-7. The Cubs didn't know what the hell to think.
21 August 1962: Our strapping first baseman left people not knowing what the hell to think even after he did things right, as periodically enough he did, such as on this day's second game of a doubleheader with the Pittsburgh Pirates.
The Pirates had won the first game, 8-6. During the second inning of the second game, Mets third base coach Solly Hemus got into a snit with umpire Frank Walsh and thus got an early evening off post haste, a result not necessarily to Hemus's distaste. ("There has always been the suspicion," the late Ed Linn once wrote, "that (he)...was (eventually) fired because he ignored Stengel's admonition that coaches should be seldom seen and never heard, and more particularly because he ignored it so frequently on the television show hosted by Howard Cosell, an abrasive critic who has got under Casey's skin.")
Stengel sent first base coach Lavagetto across the field to take command at third, and sent a Met player, veteran Gene Woodling, whom the Perfesser managed over several fat previous Yankee seasons, to coach at first. This chain of command held until the fifth inning, when Stengel needed Woodling to pinch hit, thus leaving a fresh vacancy on the first base coaching line.
Enter Richie Ashburn, the longtime Philadelphia Phillies star come to the Mets after two purgatorial seasons in Chicago. He had made our hero his comic confederate, drawing out his rural wit, and the twosome made for one of New York's top comic hits of the summer while helping to make our man the most surrealistic baseball idol of his and most times, his field slapstick and scattered bat heroics mellowed by his self-deprecating humour into a hundred fan letters a day at the peak of his bizarre popularity.
Ashburn nodded our hero to the first base coaching line. Our man looked quizzically toward Stengel, who nodded affirmative. He stood up and jogged out to the box. The scream of approval would have smothered that hitting the Beatles two years later.
By the time the Mets got to the bottom of the ninth, the Pirates were threatening to make it a doubleheader sweep, with a 4-1 lead and their nonpareil relief pitcher, Elroy Face, in the game. We were up and rocking the old rambling wreck (I was there, as a six-year-old fan), stomp-and-rolling LET'S GO METS! inexhaustibly.
Richie Ashburn started the inning with a crisp single, with a pair of followups from Joe Christopher and Jim Hickman bringing him home. This was achievement enough against Face, still the National League's premier relief pitcher, but we wanted just a little bit more. And somewhere amidst the racket the chant morphed into our hero's nickname, as he remained out there coaching at first.
From our lips to Casey's ears. Our man suddenly turned around and trotted back to the Mets' dugout. Then, he stepped back out, making for the plate with a bat in his hands. Damning the consequences, Stengel was giving the people what they wanted. Even if we seemed to want a fleeting promise transmuted into a dramatic pratfall, with no Met better endowed to make that transmutation.
Elroy Face must have known a spell or two of amusement working against the Mets, but he also knew he was still on cushion enough that he could practically dare our man to lay pipe on his famous-enough fork ball, unless his aim wasn't quite true enough to keep it from coming up to the plate as a spoon job, which is exactly what happened for once. Face watched as incredulously as we, as out man spooned it into the right field seats for a three-run homer and the game, 5-4.
Our man rounded the bases and crossed the plate behind Christopher and Hickman, then joined his mates jubilantly for the long day's journey to that elevated center field clubhouse, flanked by bleachers on either side, the tireless racket of adoration following them all the way, the bleacher fans especially shouting, chanting, and clapping, refusing to leave until our man delivered a curtain call.
At last, he did just that, appearing at the top of the clubhouse steps, waving to his fans, flashing his odd smile that seemed appreciative and apprehensive at once.
He had nothing on but his uniform stirrups and underwear.
Seven summers later, according to The Year The Mets Lost Last Place, our hero was working for Carl Carlson Car and Truck Rental in Memphis, while his old team - with a younger, hungrier cast - dropped into overdrive a quest he and his old mates would have thought doable with hallucinogenic drugs alone: a conquest of the National League East; a sweep of the Atlanta Braves in the first National League Championship Series for the pennant; and, following a Game One loss, a stupefying, acrobatic World Series sweep of the team which sold him to the Mets in the first place, the Baltimore Orioles.
He now liked to tell visitors and customers, according to the same book, that he tended to save his baseball enthusiasm for World Series time. But then he would hand them his business card. It was a fold-over card with an oval hole cut into the center of the top fold, framing an inside-printed mug shot of himself in his old Met uniform and cap. All the relevant business information was on the inside; on the outside, there appeared no printing but a single, center-embossed sentence, beneath the frame hole:
EIGHT MILLION NEW YORKERS CALLED HIM MARVELOUS MARV.
That was then. This is now. Marvelous Marv once stood nearly naked for a curtain call, but the 2002 Mess stood completely naked for a full season. No wonder even New York draws the line at public nudity.
"Come an' see my amazin' Mets," Casey Stengel liked to hector then, including to the paying customers waiting to get through the old Polo Grounds gates. "I been in this game a hundred years but I see new ways to lose I never knew existed before."
Enough of those who witnessed the anything-but-amazin' 2002 Mess probably attended funnier murders. And I don't mean those committed by the National League against the team most likely to have handed them the murder weapons.
Maybe I'm not reading this right. If they were on base when they were driven home with less than two outs their runs should have counted, even if the batter was out at first.
Why would they have to return to their old bases?
The 2002 Mets looked GREAT on paper; they just stank up the world, when it came time to actually play ball. What a disaster they proved to be. :-(
They can't " shake out " the problems ; no other team wants that gazillion dollar contract for washedup has beens, who can no longer play baseball. These duffusses all forgot how to play, once they put on the Mets' uniforms. First choice Hall of Famers became worse than the farm team wannabes. It's so discouraging.
Do you think that Mike can play First ? He's still good; just getting too old to be the catcher he once was.
All in all, I can't fault your analysis at all. You're spot on.
This is the second time I've seen this story posted on FR, and for the second time I state I was at that game. I can see Throneberry's triple in my mind's eye very well as I was seated in the right field stands and that is the way I remember the whole scenario. Also, in that doubleheadr, the Cubs' Lou Brock hit one of the two homeruns in the history of the Polo Rounds over the centerfield fence. The ball hit the railing on the top of the fence and bounced into the stands. I was 13 years old at this time.
The Mariners problems are many. I see the possibility of them being in 4th place next year after the Texas Rangers blew them out in that 4 game set in Arlington.
Edgar and McClemore are getting old, Olerud can't run, Guillen is the worst SS in the AL West, Cerillo is a pillow, Cameron swings too hard, and the league has learned how to pitch to Ichiro. Freddy Garcia seems confused, and the bullpen sorely missed Norm Charlton.
The best feat I ever saw in NY was when Roger Maris caught a ball and fell into the stands. I also saw Don Zimmer get beaned at Ebbets Field by the Reds' Hal Jeffcoat---I was a real little tyke then.
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