The bland, tendentious fare that is the New Normal is punctuated by certain successes that manage to swim against the current of sewage. Woke turns out to be an alternative to success, not a feature of it, with Hollywood choosing Woke. What results is the cinematic equivalent of Soviet literature.
It’s not even vaguely plausible.
When don’t the New York Times lie it’s one of the oldest Marxist rag in the country.