Bob Huke, camera operator on the film, recalled to Brownlow that "he said, for instance, when we shot the children, we would use 35mm lenses, and 24mm, which was the widest lens in those days. Even on close-ups we'd use the 35mm, so the set around them would seem so much bigger. But when we shot them when they're grown-ups, we'd use longer lenses. 50mm and 75mm. So it was exactly the same set, but it was a vast, cavernous shadowy place when they were kids, and it was a dreary, dirty, run-down house when they were adults."
Cool post. ping
4 posted on 09/16/2023 8:03:00 PM PDT by GOPJ
(Our side must NOT work with democrats. Or we'll Bud Light them...)