There are quite a few fine cuts from their second album. This song grew out the instrumental bed for a Rodgers & Hammerstein tune that they decided not to record.
There are quite a few fine cuts from their second album. This song grew out the instrumental bed for a Rodgers & Hammerstein tune that they decided not to record.
It starts and ends with a woodwind trio, and the rest is absolutely hypnotic. It’s one of Denny’s greatest vocal moments. John and Lou Adler’s idea of placing a bassoon, tenor oboe and flute in the arrangement was inspired.