Even worse was that John Howard Lawson guy, who wrote films like “Success at Any Price” (1934), which were pretty blatantly anti-capitalist. That one was a real gagger, despite having a nice cast of old favorites.
On the other hand, at least there were a few distinctly anti-commie films like “Red Salute” with Barbara Stanwyck from 1935, and “Soak the Rich” (1936), which Ben Hecht and Charles MacArthur made (following up “The Scoundrel” at Paramount). I still have a VHS copy of “Red Salute” around here somewhere, recorded from back in the early-to-mid-1980s, when the relatively new “USA Network” actually aired some old movies. Haven’t seen “Soak the Rich” in decades, but it was an interesting oddity.
There was an especially good anti red movie made right after the blacklist. I think it was with Dana Andrews and concerned that terrified Soviet clerk, Igor Gouzenick (sp).
Made right at the height of the Communist Influence in Hollywood. It was written by a guy named John Marquand and screenplay by someone named Luther Davis.
I tried too watch this piece of junk one night on TCM and gave up on it. Too Blatantly Communist.