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CONTINUING THE SAGA OF THE PERPETUALLY OUTRAGED MEMBERS OF THE INSANE CULT OF THE PARASITIC PLAGIARISTIC PSYCHOTIC MESSENGER OF THE BLACK METEOR CULT:

The Message (1976, 1977) (aka Mohammed, Messenger of God)
D. Moustapha Akkad

Though this epic biopic deferred to Islamic law by never showing Mohammed, it was still condemned as sacrilegious and banned in many Arab countries.

Taglined as “The Story of Islam,” this epic-length 178 minute dramatic biopic was the debut feature film of Islamic, Syrian-born producer/director Moustapha Akkad (who later produced John Carpenter’s successful horror film Halloween (1978)). It starred Mexican-born actor Anthony Quinn (Abdallah Geith in the 198 minute Arabic version) - following his success in the desert epic Lawrence of Arabia (1962) — as Mohammed’s desert-dwelling warrior uncle Hamza. It was set in 7th century Mecca and documented the beginnings of Islam and the life and teachings of the prophet. The film’s script - written by Irishman H.A.L. (Harry) Craig - took two years of research and writing before its readiness for filming, due in part to the restriction that Muslim authorities had to approve the finished screenplay before filming could commence.

Problems began almost immediately when it was unfoundly rumored that Peter O’Toole, and then American star Charlton Heston, would star in the lead role, causing two days of bloody riots in Karachi, Pakistan. This caused a stir because it was feared that the film would violate the strict Muslim belief (forbidden by Shari’a, Islamic holy law formed after Mohammed’s death) that any representation of the Diety Allah or His Prophet Mohammed (and his immediate family including wives, daughters, and sons-in-law) could not be depicted on screen nor could his voice be heard. However, the politically-correct film represented him either off-screen, as the camera’s point-of-view, or with occasional symbolic appearances (i.e., his camel-riding stick, his tent, and his holy camel). Nonetheless, endless protests, riots and death threats (by telephone) accompanied the film’s production and making (totaling seven years).

In its troubled production history, the film was forced to move from Saudi Arabia to Morocco for filming, where Akkad promised that he would construct a $100 million film production studio, as well as recreate the city of Mecca (and a model of the town’s sacred holy shrine, the Kaaba, at a cost of $400,000), and hire thousands of extras. [The film was originally backed for up to $60 million by Saudi monarch King Faisal, until he pulled out of the project while disallowing filming on location in Mecca and Medina. Later, Faisal denounced the infidel filmmakers in Morocco and caused the dismantlement of the whole film operation, resulting in relocation costs of more than $2 million.] Akkad was forced to move and find financial backing and sponsorship from terrorist-friendly Libyan leader Colonel Muammar al-Qaddafi. Ultimately, The Message was shot in two versions with different cast members, a Western version in English and a special Arabic version (entitled Al-Ris-Alah), adding to the costs.

The film faced a dilemma regarding its marketing for US audiences, for its emphasis on a non-Western religious leader who didn’t even appear in the film. Eventually, it was decided to use the tagline: “In four decades only four... “The Robe” “The Ten Commandments” “Ben-Hur” and now... For the first time...the vast, spectacular drama that changed the world!” Difficulties with the film’s title forced it to be changed to The Message for its world premiere in London in late July, 1976. Various religious groups called the film ‘sacrilegious’ and ‘an insult to Islam’ and it was banned from showings in much of the Arab world. Without all the surrounding controversies whirling about, the film was still viewed as a bland, compromising film that was overlong.

There was further controversy when the film was scheduled to premiere in the U.S. in Washington, DC, in March, 1977. The Hanafi Black Muslim extremist group led by Hamas Abdul Khaalis staged a heavily-armed siege against the local Jewish chapter of the B’nai B’rith (its national headquarters) under the mistaken belief (without having seen the film) that Anthony Quinn played Mohammed in the film. During the two-day crisis, they took nearly 150 people hostage, and threatened to blow up the building while demanding the film opening’s cancellation. Future DC mayor Marion Barry was shot when the terrorists overran the District Building, and many others were injured. The hostage situation was eventually defused by the FBI and Muslim ambassadors, and the theater chain that had booked the film cancelled the showing. This disastrous opening unfortunately ruined US box-office for the controversial film, as various moviehouses were forced to cancel their showings due to political pressures and further fears of violence.

Ironically, in late 2005, Akkad died from injuries sustained during terrorist attacks in Jordan.