[a fool in paradise]

I wonder if the curators are willing to acknowledge that Red Yellow Blue (or whatever it was called) becomes a “different” work depending on whether it is exhibited on white, offwhite, black, etc walls with bright lighting, dim lighting, or natural lighting.

Because the way the viewer takes in the whole thing, all 3 canvases PLUS the wall behind it, makes the piece (or kills it).

[Indy Pendance]

I was an engineer working with color, I know a LOT about it. You are correct.