Every one of the actors has to help a white guy find his soul or there won't be a happy ending. Bruce (Jim Carrey) won't get the girl. Neo (Keanu Reeves) won't become the next Messiah. And klutzy guy Peter (Steve Martin) won't get his groove on.
In movie circles, this figure is known as a "magic Negro," a term that dates back to the late 1950s, around the time Sidney Poitier sacrifices himself to save Tony Curtis in "The Defiant Ones." Spike Lee, who satirizes the stereotype in 2000's "Bamboozled," goes even further and denounces the stereotype as the "super-duper magical Negro."
" [Filmmakers] give the black character special powers and underlying mysticism," says Todd Boyd, author of "Am I Black Enough for You?" and co-writer of the 1999 film "The Wood." "This goes all the way back to 'Gone with the Wind.' Hattie McDaniel is the emotional center, but she is just a pawn. Pawns help white people figure out what's going wrong and fix it, like Whoopi Goldberg's psychic in 'Ghost.'"