who?
e.m.i. e.m.i. e.m.i.
too many people had the suss
too many people support us
an unlimited amount
too many outlets in and out
who?
e.m.i. e.m.i. e.m.i.
and sir and friends are crucified
a day they wish that we had died
we are an addition we are rivaled by none
never ever never
and you thought that we were faking
that we were all just money making
you do not believe we're for real
or you would lose your cheap appeal?
oh don't you judge a book just by the cover
unless you cover just another
and blind acceptance is a sign
of stupid fools who stand in line
like
e.m.i. e.m.i. e.m.i.
unlimited edition
with an unlimited supply
that was the only reason
we all had to say goodbye
unlimited supply e.m.i.
there is no reason why e.m.i.
i tell you it was all a frame e.m.i.
they only did it 'cos of fame e.m.i.
i do not need the pressure e.m.i.
i can't stand those useless fools e.m.i.
ulimited supply e.m.i.
hallo e.m.i.
goodbye a & m
From Never Mind the Bollocks
The Sex pistols
And so the record companies have finally entered the 1980s.
There will always be professional musicians. But the record industry is living on borrowed time.
The real issue, I think is that the record companies already get all the revenue they are going to get. Better enforcement of copy right laws cannot extract more money out of, mostly teenagers, who just don't have the funds to pay it. The result may be less music for the total take. It won't be more money.